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Modes of Leadership in Soviet School: Exploring the Soviet Painting of the Mid-20th Century

机译:苏联学校的领导方式:探索20世纪中期苏联绘画

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Soviet painting of the mid-twentieth century relating to the genre of socialist realism allows for the possibility of scientific interpretation in the context of cultural research and visual anthropology. The purpose of such research is to determine the visual (visual) means used to solve the artistic tasks of socialist realism in relation to a plot depicting Soviet life. In the middle of the twentieth century, among the plot's characteristic of socialist realism, image of the Soviet school began to appear. The purpose of this study is to identify what qualities of Soviet schoolchildren were most significant when portrayed in the paintings of socialist realism. The Soviet educational system was ideological in nature, since one of its tasks was to create a new type of person, that is, builder of communism. The painting of socialist realism accompanied-provided the solution to this problem. A student of the Soviet school was an early stage in the formation of such a person. Ideally, he is an example to others, which requires developed leadership qualities that are characteristic of fighters for a communist future. The history of the first decades of the Soviet country made it possible for children to show their qualities as the builder of a new society. Soviet hagiography suggests that a student can act both as a fighter for Soviet power (Pavlik Morozov) of and as a Defender of the fatherland (pioneer heroes). These images were rarely used in Soviet painting of the 1940s-1950s. The victory in the Great Patriotic War was the end of the revolutionary-heroic period of Soviet history, which required new characters in the painting, recognizable to Soviet children and their close ones. Now the student is no longer a fighter with the enemies of the revolution or with the invaders, he is fighting for the speedy building of communism. An exemplary student should be a leader in this process, trying to lead fewer active comrades. The analysed paintings show that young leaders seek to set an example of behaviour in critical situations characteristic of the school. Such situations arise in the struggle for the effectiveness of studies as the main duty of Soviet schoolchildren, in the struggle against violators of the norms of socialist life, even if it is an adult. Thus, image of a leader student introduces the ideological character of socialist realism into the image of the Soviet school.
机译:与社会主义现实主义类型有关的二十世纪中期的苏联画允许在文化研究和视觉人类学的背景下进行科学解释的可能性。这种研究的目的是确定用于解决社会主义现实主义的艺术任务的视觉(视觉)意味着描述苏联生活的情节。在二十世纪中叶,在社会主义现实主义的情节中,苏联学校的形象开始出现。本研究的目的是确定在社会主义现实主义绘画中描绘的时候苏联学童的素质最为显着。苏联教育系统本质上是意识形态的,因为它的一个任务是创造一种新型的人,即共产主义的建设者。社会主义现实主义的绘画伴随着解决这个问题的解决方案。苏联学校的学生是在形成这样的人的早期阶段。理想情况下,他是他人的一个例子,这需要开发的领导品质,这些资质是共产主义未来的战斗者的特征。苏联国家第一十年的历史使儿童展示了他们作为新社会建设者的品质。苏联语言影表明,学生可以作为苏联力量(Pavlik Morozov)的战斗机,作为祖国(Pioneer Heroes)的后卫。这些图像很少用于20世纪40年代至1950年代的苏联绘画。伟大的爱国战争中的胜利是苏联革命历史的结束,这需要绘画中的新角色,可识别苏维埃儿童及其关门。现在,学生不再是革命敌人或与入侵者的战斗机,他正在为共产主义的快速建设而战。一个示例性学生应该是这个过程中的领导者,试图引领更少的活跃同志。分析的绘画表明,年轻领导人寻求在学校的危急情况下设定一个行为的例子。这种情况发生在研究的有效性作为苏联学童的主要职责的斗争中,在违反社会主义生活规范的违规者的斗争中,即使是成年人,也是如此。因此,领导者的形象介绍了社会主义现实主义的思想特征进入苏联学校的形象。

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