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Looking at the Visual Approach on American, European, and Japanese Licensed Comics Published in Indonesia and Their Influence on Indonesian Comic Industries

机译:在印度尼西亚发布的美国,欧洲和日本许可漫画的视觉方法及其对印度尼西亚漫画产业的影响

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A combination of narration with still images in a sequence to form a story that is defined as Graphic Narrative, Graphic Novel, or simply called Comic has been published in Indonesia since the colonial era. Since the early period of original Indonesian-made comics in the 1930's, the golden era of Indonesian comic in 1950's to the 1970's, until the era of Japanese comics published in Indonesia that survive until now, in order to create "original" Indonesian Comic and to maintain its existence, Indonesian comic artist have been influenced by foreign-licensed comic artworks as they have been published in Indonesia. This paper will discuss how comic on each era have made impacts on local comics and the influences in coloring the pop culture in Indonesia. This study began with a brief history of comic and its existence in Indonesia and then the visual characteristics that related to its readers characteristics from each era will be discussed.
机译:自殖民时代以来,序列中仍然是序列中的静止图像的叙述组合,以形成被定义为图形叙事,图形小说或简称漫画的故事。自1930年代原来印度尼西亚的漫画剧情以来,印度尼西亚漫画的金色时代于1950年代到1970年代,直到日本漫画时代在印度尼西亚出版,直到现在,为了创造“原创”印度尼西亚漫画和为了保持其存在,印度尼西亚漫画艺术家因其在印度尼西亚公布而受到外资漫画作品的影响。本文将讨论每个时代的漫画如何影响本地漫画以及在印度尼西亚的剧集中着色流行文化的影响。本研究开始于印度尼西亚的漫画及其存在的简要历史,然后将讨论与每个时代的读者特征有关的视觉特征。

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