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The Epic of 'Gesar' from the Perspective of Ecological Aesthetics: Taking 'No Self' and 'Ecological Big Self' as an Example

机译:从生态美学的角度来看,“瓦尔萨尔”的史诗:以“无自我”和“生态大自我”为例

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摘要

"Gesar" epic has a rich ecological aesthetic concept with unique value and charm. The interpretation of this concept, which is full of ecological aesthetic wisdom, is not only the development of Chinese national ecological aesthetics, but also lays a more solid foundation for the equal dialogue betw een Chinese and Western aesthetics, which makes Chinese ecological aesthetics better towards the colorful civilized world. From the perspective of Tibetan Buddhism, this paper deeply analyzes the profound influence of the concept of "no self" and "ecological great self" on the epic of "Gesar", in order to better understand the "Earthundefineds third pole" born in the field of "Gesar" epic and the ecological aesthetic concept contained in this epic.
机译:“戈萨”史诗拥有丰富的生态审美概念,具有独特的价值和魅力。这一概念的解释,这是一个充满生态审美智慧的概念,不仅是中国国家生态美学的发展,而且为民族和西方美学的平等对话奠定了更坚实的基础,这使中国生态美学更好地实现了五颜六色的文明世界。从藏佛教的角度来看,本文深入分析了“无自我”和“生态伟大自我”史诗的深刻影响,以便更好地了解出生的“土地十三杆”史诗中包含的“戈萨”史诗的领域和生态审美概念。

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