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Digital restoration of the Last Supper by Leonardo Da Vinci and multimedia tools to experience edutainment

机译:Leonardo da Vinci和Multimedia工具的数字恢复莱昂纳多和体验养育器

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Da Vinci’s masterpiece can be understand in a totally new way by digitally exploring the painting and examining details that have been lost for centuries.A Virtual Reality set is able to bring us back like a’time machine’to interactively explore the Last supper room as never seen before.The research,the work and the exposition is actually on show in Leonardo3 Museum,Piazza Scala Milan,(www.leonardo3.net)Today,The Last Supper is faded and cracked.Thus,these brilliant,saturated colors may appear shocking,but this reconstruction is the closest representation of how the fresco must have looked like when Leonardo painted it,with all the missing parts reconstructed.It is a sort of virtual archaeological reconstruction.The high-definition pictures allowed us to localize the original pigments,’Pixel by pixel,we cloned da Vinci’s original pigments,using virtual palette to restore areas where the color is irreparably lost.In order to complete the fresco’s missing parts we turned to contemporary copies of The Last Supper,such as the one by Giampietrino and others.The reconstruction has indeed revealed some unknown details,such as an ideal city sketched in fragments to the left of Jesus’face,and a salt shaker that appears to have been knocked over by Judas.Multimedia software,and virtual reality has been realized to spread,history,science and heritage in the’edutainment’way,we believe is the future of knowledge.The work will show the complete digital restoration of the entire arts,including parts that have never been seen before,and an interactive simulation will make everyone’paint’step by step the masterpiece.Virtual Reality as a time machine tool,to explore and understand history and heritage.
机译:Da Vinci的杰作可以通过数字探索迷失的绘画和检查已经丢失的细节来完全了解。虚拟现实集能够像A'time Machine'to一样互动地探索最后的晚餐室从来没有见过。研究,工作和博览会实际上是在莱昂纳多3博物馆的展示,(www.leonardo3.net)今天,最后的晚餐是褪色和破解的。这些辉煌,饱和的颜色可能会出现令人震惊,但这种重建是最接近的表示,当莱昂纳多绘制它时,壁球必须如何看起来像壁球的所有缺失部件都是一种重建的。它是一种虚拟考古学重建。高清图片让我们本地化原始颜料,'Pixel by Pixel,我们克隆了Da Vinci的原始颜料,使用虚拟调色板来恢复颜色无法索取的区域。为了完成壁画的缺失部分,我们转向当代最后的晚餐副本,例如吉亚佩里诺和其他人的副本。重建确实揭示了一些未知的细节,例如在耶稣的左侧的碎片中勾勒出一个理想的城市,以及似乎被淘汰的盐振动器由Judas.Multimedia软件,并且虚拟现实已经实现了在'edutainment'way中传播,历史,科学和遗产,我们相信是知识的未来。该工作将显示整个艺术的完整数字恢复,包括以前从未见过的零件,并且互动模拟将使每个人都逐步使杰作。作为时间机床的幻想,探索和理解历史和遗产。

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