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The Use of Christian Humanism in Callaghan's The Loved and the Lost

机译:在Callaghan的基督教人文主义中的利用是被爱的和失落的

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The paper aims to elaborate Morley Callaghan's use of Christian humanism in his fiction creation, which is generally known as Callaghanese fiction. Influenced by Jacques Maritain's moral and political philosophy, Callaghan expresses his moral theme through "Integral Christian Humanism", a definition given by Jacques Maritain in one of his earliest political works. In the paper, his novel The Loved and the Lost is employed to exemplify his expression of Christian humanism through the analysis of human nature, the pursuit of human freedom and their moral and spiritual perfection of protagonists in fiction. Looking forward to social change and innovation against disorder, Callaghan always sets his story against an urban background to demonstrate his urban realism, and The Loved and the Lost is not an exception. Peggy Sanderson, the protagonist of the story, finds the contradiction between her set of value and the society. She choose to struggle with the sin but eternally redeemed, which the dignity of humanity is rooted in the incarnation this makes Callaghan believe that human beings have free will to sin but also the responsibility to seek public grace and forgiveness.
机译:本文旨在阐述在他的小说创作,这通常被称为Callaghanese小说莫利·卡拉汉的使用基督教人文主义的。由雅克·马里坦的道德和政治哲学的影响,卡拉汉表示他通过“积分基督教人文主义”,在他最早的政治作品之一由马里旦给出的定义道德主题。在论文中,他的作品的喜爱和采用失落通过人性的分析来举例说明他的基督教人文主义的表达,追求人的自由和小说主人公的道德和精神的完美。期待社会变革和创新对紊乱,卡拉汉总是将他的故事,对一个城市的背景,展示了他的城市现实主义,和心爱的和失去的也不例外。佩吉·桑德森,故事的主角,找到了她一套价值与社会之间的矛盾。她选择与罪恶,但永远救赎的,人性的尊严植根于化身,这使得卡拉汉认为,人类有自由意志的罪,也有责任寻求公众的恩典和宽恕的斗争。

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