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The Distance between Opera and Ordinary People – Discussion on the Development of the Chinese Opera Market

机译:歌剧与普通人之间的距离 - 讨论中国歌剧市场的发展

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Opera was sourced from Europe. In the late Ming and early Qing dynasties, western Catholics spread opera into China in the name of missionary activity. Till the 1920s, opera really sprouted in China. Up to now, it has been approximately a hundred years for the development of opera in China. In practice, however, opera is not stable in China. It used to have the "Chinese opera crisis". In this paper, the author explained the current situation and the development tendency of the Chinese opera market from multiple perspectives, and proposed some constructive suggestions. The origin Chinese opera used for reference the scale of western opera. It is a kind of traditional inheritance of art. The development of Chinese opera is influenced by traditional musical aesthetics through and national characters of Chinese culture. Therefore, Chinese opera has its unique charms. In fact, however, Chinese people experienced a long process of gradual understanding and adaption from passiveness and curiosity to conscious learning due to Chinese nation's deep-rooted aesthetic consciousness and mood of national culture.
机译:歌剧来自欧洲。在明时期和清初,西部天主教徒以传教活动的名义将歌剧传播到中国。直到20世纪20年代,歌剧真的在中国发芽了。截至目前,在中国开发歌剧院大约是百年。然而,在实践中,歌剧在中国并不稳定。它曾经拥有“中国歌剧危机”。在本文中,提交人从多个角度解释了中国歌剧市场的现状和发展趋势,并提出了一些建设性的建议。原产地歌剧用于参考西式歌剧的规模。这是一种传统的艺术遗传。中国歌剧的发展受到传统音乐美学的影响,通过中国文化的民族特征。因此,中国歌剧有其独特的魅力。然而,事实上,由于中国国家的深深的审美意识和民族文化情绪,中国人民越来越长的逐步理解和适应意识地学习。

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