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Criticism and Reconstruction of Visual Metaphor to Art Ethics from the Perspective of Popular Art

机译:从流行艺术的角度批判与艺术伦理的视觉隐喻

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The structure of visual metaphor is the vane of observing the art ethic problems. Around it, we can observe the basic relationship of art, including the relationships of autonomy and heteronomy, art and reality, sensibility and reason, and how could them keep balance under certain tension, thus construct a set of reasonable and standardized system of theory for ethnic issues of art from interior of visual art. From the perspective of visual metaphor, the relationship between art autonomy and art heteronomy is diverse. Visual metaphor is the regulator of visual artistic autonomy and artistic heteronomy, and the type and mode of visual metaphor are the windows to observe the realization of art ethnic spirits. From these two angles, the essence of the ethnic issue of popular art is to reconstruct reason and space order of art and remold rituality of art on the basis of catering emotional catharsis of viewers and respecting the human instinct desire, thus keep people and works with both cooperation and a distance, and open up a wide space for heteronomy entering art.
机译:视觉比喻的结构是观察艺术伦理问题的叶片。在它周围,我们可以观察到艺术的基本关系,包括自主性和异国学,艺术和现实,敏感性以及理性的关系,以及它们如何在某些紧张中保持平衡,从而构建一套合理和标准化的理论系统从视觉艺术内部的艺术民族问题。从视觉隐喻的角度来看,艺术自治和艺术异化之间的关系多样化。视觉隐喻是视觉艺术自主权和艺术性的监管机构,以及视觉隐喻的类型和模式是窗户观察艺术民族精神的实现。从这两大角度来看,流行艺术的民族问题的本质是在迎合观众的情感宣传的基础上重建艺术和​​掠夺艺术的空间顺序,并尊重人才的渴望,从而保持人物和工作合作和距离,开辟了广泛的环境进入艺术。

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