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The Union of Three Muses: Literature, Choreography, Music in Russia's Ballet Productions in the Second Half of the 20th - Early 21st Centuries

机译:三个缪斯联盟:文学,编舞,俄罗斯音乐在20世纪初期的下半年举行的芭蕾舞作品

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The article deals with the issues of deep interrelation of fiction, choreography, music, which is vividly and distinctly embodied in ballet performances of Russia of the 20th - beginning of the 21st centuries. Fidelity to the traditions of classics and the courage of creative searches of artists have always distinguished the true masters of art. The ballet reveals the Russian world, created by our great literature, music. Creation of our choreographers not only and not so much "translate" works of fiction to the vocabulary of the ballet. They retain a deep philosophical meaning, ideas, thoughts of word artists. Literature, choreography, music in their forms cognize and transform the world, merging in a special synthetism traditional and innovative, implement the process of integrating various types of art.
机译:文章涉及小说,编舞,音乐的深层相互关系的问题,这在第21世纪的第20届 - 俄罗斯的芭蕾舞表演中被生动而明显地体现了。忠诚于古典传统和艺术家的创造性搜索的勇气始终尊重真正的艺术大师。芭蕾舞演员揭示了俄罗斯世界,由我们的伟大文学,音乐创造。创建我们的编舞人员不仅是“翻译”对芭蕾舞的词汇的“翻译”作品。他们留住了深刻的哲学意义,想法,艺术家的思想。文学,编舞,音乐形式是对世界的认识和改变世界,在特殊的合成主义中融合传统和创新,实施整合各类艺术的过程。

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