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On the Space-depiction Techniques of Chinese Traditional Architectural Drawings

机译:论中国传统建筑图纸的空间 - 描述技术

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Ruled-line painting is the best foundation of research on ancient Chinese buildings. From existing ruled-line painting works, it can be figured out that ruled-line paintings of the Northern Song Dynasty have had a great breakthrough based on predecessors in the respect of manifestation with regard to sense of space. A group of experienced painters of ruled-line painting at that time such as Zhang Zeduan, Guo Zhongshu, Yan Wengui and the like know a lot about "subtle principles" of "Same Proportion as Material Objects" and "Hundreds of Diagonals Gathered to One Point", whose works' sense of volume, sense of space and sense of stability are universally superior to those of predecessors. Therefore, a form or framework of ancient architectural drawings basically took shape at that time. In this paper, analyses on space-depiction techniques of Chinese traditional architectural drawings before the introduction of Western perspective theory are done through studying ruled-line paintings of Song Dynasty.
机译:统治线绘画是中国古代建筑研究的最佳基础。从现有的统治线绘画作品中,可以弄明白,北宋的统治线绘画根据前辈的表现方面对空间感的表现有了很大的突破。一群经验丰富的统治线绘画画家,如张泽,郭中舍,阎万辉等知识了很多关于“与材料物体相同的比例”和“数百个对角线聚集在一起”点“,其作品的体积感,空间感和稳定性感的稳定性优于前辈。因此,古老的建筑图纸的形式或框架基本上呈现在那个时代。本文通过研究宋代的统治线绘画,对中国传统建筑图纸的空间描绘技术分析。

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