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On the Transformation and Popularity of the Cheongsam in Modern Time

机译:论近代旗袍的转型与普及

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For thousands of years, all the Chinese women dresses were made through the straight cutting in tailoring. The bosom, the shoulder, the waist and the buttocks of the clothes were all straight. The women's line of beauty didn't show completely at all. As far as the cheongsam, the characters were also kept. After the Revolution of 1911, the Chinese women started to understand what the line of beauty under the effect of the western economical culture is. After that, the cheongsam was improved and recreated from the insignificant tailors to the famous designers, showing the women's line of beauty exhaustively. Nowadays, the cheongsam which play an important role in women's life has become a culture. Comparing and researching the change of modeling and the character of structure of the cheongsam of different periods, which will have very important significance towards how to keep and expand the traditional national culture and understand the popular trend of the cheongsam. The name of the cheongsam could be traced back to the beginning of the Qing dynasty. Dragon required all the sons of China to wear the robes when they entered the Shanhaiguan, which was also called the cheongsam of the Manzu. (As shown in Fig. 1) Literally, the cheongsam meant the robes which were worn by the sons of China. In the origin, it didn't distinguish the male and the female. Afterwards, the common girls who didn't enter the Shanhaiguan including the female of Han nationality all imitated the wearing climate of Man nationality. And it became more and more popular among the rich women. The decoration of the cheongsam of the Mao women was famous for their complexity. However, as for the modeling, the way of straight cutting was made. After the Revolution of 1911, the people's ideas had changed, so the traditional clothes were experiencing potential changes, and the cheongsam was affected by the western culture.
机译:千百年来,所有的中国女性服装是通过剪裁直线形切削制成。胸前,肩部,腰部和衣服的臀部都是直的。女子行美根本不完全显示。至于旗袍,人物也被保留。辛亥革命后,中国女排开始了解美的西方经济文化的影响下,该行是什么。在此之后,旗袍进行了改进,从微不足道的裁缝著名设计师重新创建,详尽地展示了女性的线条美。如今,从而起到在女性的一生中的重要作用,旗袍已经成为一种文化。比较和研究模型的变化和不同的时期,这将有对如何保持和扩大民族传统文化,了解旗袍的流行趋势非常重要的意义的旗袍的结构特点。旗袍的名称可以追溯到清朝的开始。龙需要中国的子孙都穿着长袍,当他们进入山海关,这也是被称为满族的旗袍。 (在图如图1所示)从字面上看,旗袍意味着这是由中国的儿子所穿的长袍。在原产地,它没有区分男性和女性。此后,谁没有进入山海关,包括女汉族的普通女孩都模仿满族的穿着环境。并成为富有女性中越来越流行。毛泽东女性旗袍的装饰是著名的为他们的复杂性。然而,对于造型,直切的方式作出。辛亥革命后,人们的观念发生了变化,所以传统的衣服都经历潜在的变化,旗袍是受西方文化。

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