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Research on Wushu Culture of Southwest Pictorial Stone Brick of Han Dynasty

机译:汉代西南图画石砖武术文化研究

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This paper studies Wushu culture of southwest pictorial stone/brick of han dynasty using the methods of literature material method, field investigation method and related knowledge such as discipline of ethnology, cultural geography, history cultural geography and so on. The study finds that: In Han dynasty, with the augmentation of the exploitation of the unified empire, the martial arts culture of southwest went through the development course of an increasing prosperity, the various aspects such as the generalization, a standard, the diversity of Wushu culture and so on have gained unprecedented development. The regional cultural phenomenon presented that Chinese martial arts culture acted as the main body, martial arts culture of ethnic minorities was complementary. The closure of the geographical environment and the increasing scale of migration, the improve traffic conditions, made southwest Wushu culture have the characteristics of closure and open; The increasing of the military war promoted the development of martial arts; The diversity of ethnic groups promoted the diversity of Wushu culture; Influenced by religious consciousness, Wushu culture appeared rich WuHua and indigenous color. Short weapons were used universally, especially the crossbow developed greatly. The study aims to better research southwest sports culture of Han dynasty, and to provide reference for southwest sports culture construction. In Southwest China, there are many kinds and forms of pictorial carved stones with wide distribution and mass varieties. They have been found in the east of Sichuan province, city of Chongqing, Yi autonomous prefecture of Liangshan in southwest Sichuan, north of Guizhou province as well as Chaotung of Yunnan province, within which there is a large amount in the middle west of Sichuan Basin, the central area of Bashu area of Han dynasty, and those pictorial stones in the middle and late period of Eastern Han dynasty are the most popular. Usually the contents of carved stones are about field hunting and shooting, music and dance, and animals and beasts and so on, which reflects the colorful and prosperous martial art in Han dynasty.
机译:本文研究了西南图画石头/汉代武术文化使用文学方法,现场调查方法及相关知识,如民族科,文化地理,历史文化地理等。该研究发现:在汉代,随着统一帝国的利用增强,西南武术文化经历了繁荣的发展过程,泛化等各个方面,标准,多样性武术文化等等才获得前所未有的发展。区域文化现象呈现,中国武术文化作为主体,少数民族的武术文化是互补的。关闭地理环境和迁移规模的增加,改善交通状况,使西南武术文化具有封闭和开放的特点;军事战争的增加促进了武术的发展;民族的多样性促进了武术文化的多样性;受宗教意识的影响,武术文化出现富裕的武华和土着色彩。普遍使用短武器,特别是弩发展得很大。该研究旨在更好地研究西南体育文化的汉代,为西南体育文化建设提供参考。在中国西南,有许多种类和形式的雕刻石,具有广泛的分布和质量品种。他们已在四川省东部,重庆市东部,梁山市四川省梁山市,贵州省北部以及云南省的禅宗,在其中有大量的四川盆地中西部,汉代巴蜀地区的中心地区,东汉东部和晚期的那些图案石头最受欢迎。通常,雕刻石头的内容是关于现场狩猎和射击,音乐和舞蹈,以及动物和野兽等,这反映了汉代的丰富多彩和繁荣的武术。

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