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Toward an analysis of polyphonic music in the textual symbolic segmentation

机译:朝着文本符号分割中的复音音乐分析

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The listener is able to identify a melody (motif) within a "sonorous image" created during the performance of music, be it generated by a single voice (monody) or by several simultaneous voices (polyphony). The "sonorous continuum" of a musical piece, in fact, does not exhaust itself in the mere acoustic - perceptive fact, yet it has a meaning that emerges from the structural properties of the musical piece, cognitively processed by the listener and linked back to conceptual structures. This article presents a model of analysis developed so as to identify a melodic line inside a polyphonic musical structure. Study highlights the manner in which the horizontal (monody) and vertical (polyphony) dimensions of a given musical piece must be pondered, on the basis of recent considerations on a harmonic and cognitive level developed respectively by D. de la Motte and D. Huron. The algorithm conceived to this effect was tested on a set of data (scores) of small dimensions serving as a sample.
机译:听众能够在音乐表现期间创建的“铿orous的图像”中识别旋律(图案),由单个语音(MOLODY)或多个同时声音(多角)产生。事实上,一个音乐作品的“铿son的连续体”,实际上没有排除在仅仅是声学的 - 感知事实中,但它具有从音乐件的结构性,由听众进行认知处理并将其联系起来的含义。概念结构。本文提出了一种分析模型,以识别多相音乐结构内的旋律线。研究突出了给定音乐件的水平(montode)和垂直(多色)尺寸必须思考的方式,基于分别由D. de la Motte和D. huron开发的谐波和认知水平的次要考虑因素。构思于这种效果的算法在用作样本的小尺寸的一组数据(分数)上进行了测试。

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