首页> 外文会议>National Conference on Systems Science >A NEW APPROACH TO THE MUSEUM PROJECT. THE MUSEUM SYSTEM THROUGH THE SYSTEMS DESIGN. A PROJECT FOR THE CULTURAL HERITAGE APPLIED TO 'THE MUSEUM OF ROMAN CULTURE' IN ROME
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A NEW APPROACH TO THE MUSEUM PROJECT. THE MUSEUM SYSTEM THROUGH THE SYSTEMS DESIGN. A PROJECT FOR THE CULTURAL HERITAGE APPLIED TO 'THE MUSEUM OF ROMAN CULTURE' IN ROME

机译:博物馆项目的新方法。博物馆系统通过系统设计。罗马“罗马文化博物馆”的文化遗产项目

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The aim of this work is to contribute to the development of a possible and expected path of design of systems well within the context of cultural heritage. Furthermore the goal is that of analyze the controversial relation between preservation and improvement. A complex system as cultural heritage and especially the museum one - in which interact in a conflicting way cultural, emotional, economic and conservative values - needs a creative and planning effort, of systemic nature, able to avoid a complete paralysis. In this way, it is possible - and in our opinion we have - to go over and to re-orient the perceptions of the museum analyzing it as and connecting it with an organism, endowed with the aspects of a model-structure-process. This necessary change of perception shifts the focus from the museum model to the museum process, allowing its structure to move towards a "dissipative structure"; able to keep steady his original form during his transformation. The planning effort of systemic nature necessary for these reasons, creates some resonances, as it happens in music, between self-referential principles (keeper of the continuity art-past-memory) and innovative and integrative principles expressing the value of a socio-cultural ecosystem where the organism of the museum lives and keeps itself active. It's just by this new approach that it's possible to tend to a synthesis of cultural heritage problem, with not distorting and economically paralyzing suggestions of a sustainable development (above all in the case of museums and public heritage). It's possible to hope for a new vitality of this Institutes, just tending to the museum as "culture maker" in which steady elements (collections, archives, ...) develop themselves according with internal and external elements, creating cultural connections. In this way, the museum we are thinking about it will be able to reconnect to the society and to the actual culture, readapting itself to the various potentialities, composing new connecting webs and offering a new opportunity to the knowledge.
机译:这项工作的目的是促进在文化遗产的背景下促进系统的可能性和预期的设计路径。此外,目标是分析保存与改进之间的争议关系。一个复杂的制度,作为文化遗产,特别是博物馆,其中互动的方式与文化,情感,经济和保守价值观 - 需要一种创造性和规划的全身性质,能够避免完全瘫痪。通过这种方式,在我们看来,我们有可能 - 越过并重新定位博物馆的看法,分析它和与生物体连接它,赋予了模型结构过程的方面。这种必要的感知变化将焦点从博物馆模型转移到博物馆过程中,允许其结构朝向“耗散结构”;能够在转型期间保持稳定的原始形态。由于这些原因所需的系统性质的规划努力产生了一些共振,因为它在音乐中发生,在自我引用原则(守护者的连续性 - 过去记忆中的守护者)和表达社会文化价值的创新和综合原则之间博物馆生物的生态系统生活并保持自己活跃。这只是通过这种新方法,可以倾向于倾向于综合文化遗产问题,在可持续发展方面不扭曲和经济地瘫痪的建议(在博物馆和公共遗产的情况下,最重要的)。可以希望这座机构的新活力,只是倾向于博物馆,作为“文化制造商”,其中稳定的元素(收藏品,档案,......)根据内部和外部元素创造文化联系。通过这种方式,我们正在考虑的博物馆将能够重新连接到社会和实际文化,随时为各种潜力扣除,构成新的连接网并为知识提供新的机会。

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