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A LONGITUDINAL STUDY OF HEARING LOSS AMONGST CLASSICAL MUSICIANS

机译:古典音乐家中听力损失的纵向研究

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It was found that 95percent of the 966 music students had acceptable levels of hearing loss according to the hearing categories outlined in the Control of Noise at Work Regulation appendix. Over the three years, there is minor variation in the character of the audiograms for the instrument groups, but consistently the girls have better hearing than the boys. The brass group have the highest incidence of warning levels of hearing loss. For the 2009 music students an additional frequency was tested, 8 kHz, this allowed a 'music' notch in the audiograms to be clearly seen, particularly for the brass. It is suggested that for music, as produced solely by a musician, health surveillance audiograms should include the 8 kHz frequency. Of course over time the 6 kHz notch will disappear into the age related hearing loss, but for students there is a clear advantage in testing for early signs of hearing loss.
机译:有人发现,966名音乐学生95%根据工作条例附上的噪音控制中概述的听力类别,有可接受的听力损失水平。在三年内,仪器组的通知图表的特征有轻微的变化,但始终如一的女孩比男孩更好的听力。黄铜集团具有最高的发动机损失的发病率。对于2009年的音乐学生进行了额外的频率,8 kHz,这允许清楚地看到AudioGram中的“音乐”凹口,特别是对于黄铜。有人建议,对于音乐,如同由音乐家制造的,健康监控听力图应包括8 kHz频率。当然随着时间的推移,6 kHz陷波将消失在与年龄相关的听力损失中,但对于学生来说,在测试早期招标缺陷的测试中有一个明显的优势。

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