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Effects of perceptual experience on children's and adults' perception of unfamiliar rhythms

机译:感知经验对儿童和成年人对不熟心节奏的看法的影响

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Rhythm and meter are fundamental components of music that are universal yet also culture specific. Although simple, isochronous meters are preferred and more readily discriminated than highly complex, nonisochronous meters, moderately complex nonisochronous meters do not pose a problem for listeners who are exposed to them from a young age. The present work uses a behavioral task to examine the ease with which listeners of various ages acquire knowledge of unfamiliar metrical structures from passive exposure. We examined perception of familiar (Western) rhythms with an isochronous meter and unfamiliar (Balkan) rhythms with a nonisochronous meter. We compared discrimination by American children (5 to 11 years) and adults before and after a 2-week period of at-home listening to nonisochronous meter music from Bulgaria. During the first session, listeners of all ages exhibited superior discrimination of isochronous than in nonisochronous melodies. Across sessions, this asymmetry declined for young children but not for older children and adults.
机译:节奏和仪表是音乐的基本组成部分,尚是普遍的文化。虽然简单,等时仪表是优选的,并且比高度复杂,非常复杂的米,适度复杂的非同步仪表不会对从年轻时暴露于他们的听众的问题。目前的工作使用行为任务来检查各个年龄的听众的轻松获取来自被动暴露的不熟悉的韵律结构。我们检查了对具有非同步仪表的同住仪表和不熟悉(Balkan)节奏的熟悉(西方)节奏的看法。我们将美国儿童(5至11岁)和成年人的歧视进行了比较,在家中聆听保加利亚的非同步仪表音乐。在第一届会议期间,所有年龄的听众表现出卓越的歧视性同时位而不是非同步旋律。在会议上,这种不对称的幼儿拒绝,但不是老年人和成年人。

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