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Memory and holographic space

机译:记忆和全息空间

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Holography registers and shows the three-dimensionality of the "real" space, but on a two-dimensional support, and the holographic image can float either before or behind the plane of the hologram.In holography, the time of the image is the time of the viewer, and so as not to eliminate its peculiarity, this type of image can only be seen and felt, in its total uniqueness, through its direct presence.We have been developing a series of digital art holograms and lenticulars, exploring the movement inside and outside the holographic space, making the viewer's physical space also part of the holographic space.Starting from a belief in the human body as an emotional tool, as a messenger of memories, we are been creating a new space for the image whose structure is influenced by the holographic images and by the viewer as performer. In this paper we will develop these ideas by analysing a series of digital art holograms that we have been created, through the artistic installations that were produced.
机译:全息寄存器并显示“真实”空间的三维性,而是在二维支持上,并且全息图像可以在全息图的平面之前或后面浮动。在全息术中,图像的时间是观看者的时间,以免消除其特殊性,通过直接存在,只能看到和感受到这种类型的图像,并感受到其总唯一性。我们一直在开发一系列数字艺术全息图和晶状体,探索全息空间内外的运动,使观众的物理空间也是全息空间的一部分。从人体的信仰开始作为情感工具,作为记忆的使者,我们一直在为其结构的图像创建一个新的空间,其结构受到全息图像和观众作为表演者的影响。在本文中,我们将通过分析我们创建的一系列数字艺术全息图来发展这些想法,通过生产的艺术设备。

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