首页> 外文会议>International Technology, Education and Development Conference >(482) A DIALOGUING PEDAGOGICAL METHOD PART OF THE WORK BOOK TOOL, IN THE “DESIGNPROGRAMMET” AT THE UNIVERSITY OF KALMAR, SWEDEN
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(482) A DIALOGUING PEDAGOGICAL METHOD PART OF THE WORK BOOK TOOL, IN THE “DESIGNPROGRAMMET” AT THE UNIVERSITY OF KALMAR, SWEDEN

机译:(482)在瑞典卡尔马大学的“Designprogrammet”中的工作书工具的对话教学方法部分。

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Introduction. The research concerns primarily pedagogy and design methodology, focusing on how we evaluate artistic work processes and projects and on how we can develop the preconditions for crossdisciplinary work. The training concept treated here has been applied during several years of teaching, initially by its creator Henriette Koblanck, a Swedish researcher and professional, retired full professor, and then in the “DesignProgrammet”, founded by her, at the Kalmar University now LNU University in Kalmar, Sweden where she called to collaborate with her several professionals and among them the Italian designer Monica Moro researcher and teacher in the colour and shape field. Treated here are those specific tools that make use of the ability of reflection in the design process part of the “Workbook”. Background. From the twenty-first century's beginning, a big debate is constantly unfolding on how to teach the design subject, which is suspended somewhere between the world of art and that of technology. Our outlook on design, designers and products is changing. In fact, we are interacting with a productive scenario rapidly developing where, besides traditional industry, the event of a whole world of self-made and self-promoted objects has emerged with the following phenomenon of selling and buying through the web. Beneficial is also to note that the debate on design and design education originates from a cultural and philosophical distinction that tends to separate the field of technological and scientific subjects from the one of artistic concern. What is art, what is science, what is knowledge, what is skill? And how can you teach students to develop it or use it and understand it; these are some of the questions related to this main issue. Methodology. If we look to the Greek term Phronesis, which is generally translated as wisdom or mindfulness and could be interpreted as the quality to be able to put together rational thinking in relation to a certain kind of knowledge, we are not simply considering the ability to decide how to achieve a certain end, but also the ability to reflect and decide what the end should be. The Work Book method is based just on these premises, especially on the reflection mode, both alone and interacting with various individuals. It is carried out through a set of matrixes based on the Bologna declaration. The idea is that the Work Book should become both inspirational and personal and an ideal support for rational and technical thinking. It shouldn't only relate to an arbitrary private world but require a balanced dialogue between teachers and students, or between designers and stakeholders. The aim is to put the students in condition to see their own learning process and to develop their capacity for critical thinking about their own work, laying the foundations for an opening toward a more innovative thinking. Conclusion. The Work Book is a method thought both for teachers and students that helps us “to see the differences and similarities over the years - a sort of quality assurance”. It is thought to bring about possible changes during the process, or of the final product, a support for connecting to the valuation skills and also bringing about economical discussions. During years of application there are very positive results and most of the students are still using the method.
机译:介绍。该研究涉及教育学和设计方法,重点是我们如何评估艺术工作流程和项目以及我们如何发展跨学科工作的先决条件。在此处处理的培训概念在几年的教学中应用,最初由其创造者Henriette Koblanck,瑞典研究员和专业,退休的全教授,然后在“DesignProgrammet”,由她创立的,在Kalmar University of Lnu大学在瑞典卡尔马,她呼吁与她的几个专业人士和他们中间的意大利设计师Monica Moro研究员和老师在颜色和形状领域进行合作。在此处处理的是那些利用“工作簿”设计过程中反射能力的具体工具。背景。从二十一世纪开始,一项大辩论在如何教导设计科目时不断展开,这暂停了艺术世界与技术之间的某个地方。我们对设计,设计师和产品的展望正在发生变化。事实上,我们正在与生产方案进行互动,迅速发展,除了传统的行业外,还有一个自我制造的自我和自我促销的物品的活动,并通过了通过网络销售和购买的现象。还有益处还注意,关于设计和设计教育的辩论起源于文化和哲学区别,倾向于将技术和科学科目的领域与艺术担忧之一分开。什么是艺术,科学是什么,知识是什么,技能是什么?你如何教学学生开发它或使用它并理解;这些是与此主要问题有关的一些问题。方法。如果我们期待希腊语术语,这通常被翻译为智慧或谨慎,并且可以被解释为能够与某种知识相关的理性思考,我们不仅仅是考虑决定的能力如何实现一定的结局,也能够反思和决定结束应该是什么。工作书方法仅基于这些前提,特别是在反射模式上,单独和与各种人交互。它通过基于博洛尼亚宣言的一组矩阵进行。这个想法是,工作书应该成为鼓舞人心的和个人的理想和理性和技术思维的理想支持。它不仅应与任意私人世界有关,但需要在教师和学生之间或设计师和利益相关者之间进行平衡的对话。目的是让学生能够看到自己的学习过程,并培养他们对自己工作的关键思考的能力,奠定了一个更具创新性思维的开放。结论。这本书是一种思考教师和学生的方法,这些方法可以帮助我们“多年来看到差异和相似之处 - 一种质量保证”。有人认为,在过程中或最终产品的可能变化,支持与估值技能联系并带来经济讨论。在多年的应用程序中,有非常积极的结果,大多数学生仍在使用该方法。

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