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GIScience Integrated with Computer Vision for the Interpretation and Analysis of Old Paintings

机译:GISCICE与计算机愿景一体化,以获得旧绘画的解释和分析

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摘要

Photographs of Ottoman Palestine are available only from the 2nd half of the 19th century onward. Thus, in order to reconstruct the landscape at the time one should rely on other visual sources such as old paintings. To do so, their accuracy and completeness must be addressed first. In this paper we analyse a painting from 1823 by the British Sir Frederick Henniker that drew the Old City of Jerusalem when standing somewhere on the Mount of Olives. We use GIScience techniques with computer vision capabilities to resolve the exact location where the artist stood as well as verifying errors and completeness of the painting. Preliminary results demonstrate that the location of the artist when drawing the painting was on top of Mount of Olives (close to present-day 7 arches hotel) rather at the Cave of the Apostles as cited in the NLI librarian citation. Additionally, the accuracy of his work was verified by comparing the features he drew on the canvas to their actual location on a present-day photograph.
机译:奥斯曼巴勒斯坦的照片只能从19世纪的第二次上市。因此,为了在一个应该依赖于其他视觉源(如旧绘画)时重建景观。为此,必须首先解决他们的准确性和完整性。在本文中,我们在英国爵士Frederick Henniker的1823年分析了一幅画,在橄榄山的某个地方站在耶路撒冷的老城区。我们使用带有计算机视觉功能的GICICES技术来解决艺术家站立的确切位置以及验证绘画的错误和完整性。初步结果表明,艺术家在绘制绘画时的位置是在橄榄山的顶部(靠近当前的第7天拱门酒店),而不是在NLI图书馆员引用的使徒洞穴中。此外,通过比较帆布上的特点来验证他工作的准确性,以在当天的照片上的实际位置。

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