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Post-hoc analysis of two temporary acoustic shelters in London

机译:伦敦两种临时声学避难所的后HOC分析

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The research focuses on two temporary pavilions designed as acoustic shelters in an urban open space: the Serpentine Gallery Pavilion built in the forecourt of the Serpentine Gallery in Kensington Gardens in 2011 and the Be Open Sound Portal pavilion built at Trafalgar Square in 2012, both heritage sites in London. Swiss architect Peter Zumthor designed the former pavilion, while the latter was designed by the English firm Arup. It was recognized that the same soundscape design model - an acoustic shelter - was applied in open spaces of a different aural context. Both were dismantled before the time of this research. With an aim to show the types of soundscape from which acoustic shelters in an urban open space could shield, monaural onsite measurements were performed in October 2015 to analyze aural context differences between the immediate surroundings of the two former pavilions. The difference is clearly visible in the frequency of sonic events, their spectral composition and average sound pressure levels.
机译:该研究侧重于城市开放空间中设计为声学庇护所的两个临时馆:2011年肯辛顿花园的蛇形画廊的前院建造了蛇纹石画廊馆,在2012年在特拉法加广场建造的开放式声音门户馆伦敦的网站。瑞士建筑师彼得·Zumthor设计了前展馆,而后者是由英国公司Arup设计的。人们认识到,相同的Soundscape设计模型 - 声学避难所 - 应用于不同听觉的开放空间。两者都在这项研究的时候被拆除。 ,旨在显示类型的音景由以城市开放空间声避难所能够屏蔽的,在2015年10月进行单声道现场测量分析前两个亭子的周围环境之间的听觉方面的差异。在声波事件的频率,它们的光谱组合物和平均声压水平的频率中清晰可见。

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