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Representing postures and emotions of Taiwanese indigenous folk dances via Labanotation and Laban Effort

机译:通过Labanotation和Laban Effort表现台湾本土民间舞蹈的姿势和情感

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Taiwanese indigenous people have rich cultural heritages. However, their precious heritages are disappearing day-by-day due to the lack of writing systems in their native languages. One of the most important heritages includes their folk dances; in particular those danced at their festivals. We have collected basic-step dances, 2-step, and 4-step dances of their festivals, and described them by using Labanotation for preservation purposes. Labanotation can represent motion positions of dance, but cannot record dynamic structures such as speeds and accelerations during dancing. These dynamic structures reveal the dancers intentions and emotions. We combined Laban Effort with Labanotation to record both dynamic structures and motion positions. In addition, we proposed a new dance-recording procedure for preserving folk dance systematically and effectively; we apply this procedure to a case study Puyuma Shield dance. In conclusion, this study is important for recording dance position and understanding dancers emotions, as well as for providing a better systematic dance-recording procedure and verifying the effectiveness of that procedure.
机译:台湾土著人民具有丰富的文化底蕴。但是,由于缺乏母语的书写系统,他们的宝贵遗产每天都在消失。最重要的遗产之一是民间舞蹈。特别是那些在节日里跳舞的人。我们收集了他们节日的基本舞步,2步舞和4步舞,并出于保护目的使用Labanotation对它们进行了描述。 Labanotation可以代表舞蹈的运动位置,但是不能记录动态结构,例如舞蹈过程中的速度和加速度。这些动态的结构揭示了舞者的意图和情感。我们将Laban Effort与Labanotation相结合,以记录动态结构和运动位置。另外,我们提出了一种新的舞蹈记录程序,可以系统有效地保存民间舞蹈。我们将此程序应用于个案研究Puyuma Shield舞蹈。总之,这项研究对于记录舞蹈姿势和理解舞者的情绪,以及提供更好的系统的舞蹈记录程序并验证该程序的有效性非常重要。

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