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Pen + Touch = New Tools

机译:笔+触摸=新工具

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摘要

We describe techniques for direct pen+touch input. We observe people's manual behaviors with physical paper and notebooks. These serve as the foundation for a prototype Microsoft Surface application, centered on note-taking and scrapbooking of materials. Based on our explorations we advocate a division of labor between pen and touch: the pen writes, touch manipulates, and the combination of pen + touch yields new tools. This articulates how our system interprets unimodal pen, unimodal touch, and multimodal pen+touch inputs, respectively. For example, the user can hold a photo and drag off with the pen to create and place a copy; hold a photo and cross it in a freeform path with the pen to slice it in two; or hold selected photos and tap one with the pen to staple them all together. Touch thus unifies object selection with mode switching of the pen, while the muscular tension of holding touch serves as the "glue" that phrases together all the inputs into a unitary multimodal gesture. This helps the UI designer to avoid encumbrances such as physical buttons, persistent modes, or widgets that detract from the user's focus on the workspace.
机译:我们描述了直接笔触输入的技术。我们使用实物纸和笔记本观察人们的手动行为。这些内容是Microsoft Surface应用程序原型的基础,该应用程序以笔记和材料的剪贴簿为中心。根据我们的探索,我们主张在笔和触摸之间进行分工:笔书写,触摸操作以及笔+触摸的组合产生了新的工具。这阐明了我们的系统如何分别解释单峰笔,单峰触摸和多峰笔+触摸输入。例如,用户可以握住照片并用笔拖出以创建并放置副本。握住一张照片,然后用笔在自由形式的路径上将其切成两半;或按住选定的照片,然后用笔点击其中一张将它们装订在一起。触摸因此通过笔的模式切换来统一对象选择,而保持触摸的肌肉张力充当“胶水”,将所有输入组合在一起成为一个统一的多模式手势。这有助于UI设计人员避免使用诸如物理按钮,持久模式或小部件之类的负担,这些负担会损害用户对工作区的关注。

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