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The future of space exploration starts in the future

机译:太空探索的未来始于未来

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During a three-month period starting in October 2000 and a two-month period in 2001 I installed the project Artist-Astronaut at two musea, the Stedelijk Museum Amsterdam and the Ferens Gallery Hull. The mission of the Artist-Astronaut project was to investigate, in the form of an artwork, the possible effects of Artist integration into space exploration activities. The (art) installation was open to public view, but I held a Call for Participation amongst my colleagues in the Arts to select participants for an investigation that would take place in the exhibition space. During a series of closed sessions, applicants that I had selected because they possessed the Right Stuff, took upon themselves the role of Artist-Astronaut. As an Artist I chose to create an experience to access the 'data' I required from the Artist-Astronaut participants. My goal was to display an Artist perspective up to 50 years of Artist involvement in space exploration as art. To do this I took my Artist-Astronaut participants on a mission several decades into the future. In the highly suggestive 'holodeck' installation the participants were guided through time to the year 2050 using hypnotic techniques. During this time-journey the participants were made suggestible that they had either witnessed or participated in a number of Artist missions. Having arrived in 2050, the participants were given time to reflect upon this experience and discuss at length their own contributions to their field amongst their peers. I recorded these sessions in which the Artist-Astronauts speak from 'the future' to relay their vision. In addition to this paper, I will accompany my live-presentation at session P4.02 of the 52nd annual International Astronautical Federation Congress with video material of the most recent Artist-Astronaut 'future-sessions'. This paper begins with an explanation of the rationale and the initial concept of the Artist-Astronaut project. Section 2 discusses the different elements of the project. Section 3 describes the performances in more detail. Section 4 discusses results and the future goals of the project are provided in section 5.
机译:从2000年10月开始的三个月期间和2001年的两个月期间,我分别在阿姆斯特丹的Stedelijk博物馆和Ferens画廊的船体上安装了艺术家宇航员计划。艺术家-宇航员项目的任务是以艺术品的形式调查艺术家融入太空探索活动的可能影响。 (艺术品)装置是向公众开放的,但是我在我的艺术同行中举行了“参与号召”,以选择参与者进行调查,这将在展览空间内进行。在一系列的闭门会议中,我因拥有正确的东西而被选中的申请者担当了艺术家-宇航员的角色。作为一名艺术家,我选择创造一种体验,以访问艺术家-宇航员参与者所需的“数据”。我的目标是向艺术家展示长达50年的艺术家作为艺术参与太空探索的观点。为此,我带领我的艺术家宇航员参加了几十年的任务。在极富启发性的“ holodeck”装置中,使用催眠技术将参与者引导至2050年。在这段时间旅行中,参与者被告知他们目睹或参加过许多艺术家任务。到了2050年,参加者有时间反思这一经验,并在同龄人中详细讨论他们对自己领域的贡献。我记录了这些会议,艺术家宇航员在这些会议上从“未来”发言,以传达他们的远见。除了本文之外,我还将在第52届国际宇航联合会年度会议P4.02的现场演示中,提供最新的艺术家-宇航员“未来会议”的视频资料。本文首先解释了艺术家-宇航员项目的基本原理和最初的概念。第2节讨论了项目的不同元素。第3节更详细地描述了表演。第4节讨论了结果,第5节提供了该项目的未来目标。

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