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The acoustic and auditory performances of the three Thai level tones

机译:三种泰国语调的听觉和听觉表现

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摘要

This study offered a preliminary look at the acoustic and auditory performances in an isolated monosyllable environment of the three level tones (i.e. High, Mid and Low tones) in Thai via several relevant acoustic and perception experiments. The results show that Mid tone is the only one which can be accepted as a level tone either in production or in perception and Low tone has two main variants: low-level tone and low-falling tone. But it is quite questionable to continue to take High tone as a level tone because “level” as a sound feature cannot be pronounced and identified as a typical feature of High tone. A High tone is actually a “mid -high-level” tone. Also, the movement of contour is very important when perceiving High tone.
机译:这项研究通过一些相关的声学和感知实验,初步研究了泰语中三级音(即高,中和低音)在孤立的单音节环境中的声学和听觉性能。结果表明,中音是在生产或感知中都可以被接受为电平音的唯一音调,而低音具有两个主要变体:低音和低降音。但是,继续采用高音作为电平音是非常可疑的,因为不能将“电平”作为声音特征发音并识别为高音的典型特征。高音实际上是“中高级”音。同样,在感知高音时,轮廓的移动非常重要。

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