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SENI LUKIS BALI DARI PERSPEKTIF MODERNISASI

机译:绘画艺术来自现代视角

摘要

One of the strategic attitudes toward development, in order to increase its improvement by arrangement of comprehensive planning, by considering potency as multi sector development concept is the development of art that is taken for consideration. The development of art in Bali nowadays is closely related to the historic movement of Indonesian art, pioneering era Raden Saleh (1807-1880), Hindia Jelita era (1908-1937), and Pita Maha era (1930s). In the Pita Maha era, there occurred a combinatioan between the modern west esthetic and classical Bali esthetic that based on Hindu religion. The modern esthetic was brought to Bali by western artist R. Bonnet and W. Spiese, merging with the classical esthetic which bearing aperiod of art in Bali that is known as Seni Lukis Bali Modern (Bali Modern Art Painting) The period is also the beginning of Modern Art in Bali. Academic movement in the field of art exist in 1950 is an attitude toward renewal expansion within expression. During the orde baru government in 1966, various styles of modern art come into elaboration, moreover by the graduations of many academic artists.
机译:为了通过综合规划的安排来提高发展水平,通过将效力作为多部门发展概念来考虑,发展的战略态度之一就是艺术发展。如今,巴厘岛的艺术发展与印度尼西亚艺术的历史运动,拉登·萨利赫(Raden Saleh)(1807-1880),兴迪亚·耶利塔(Hindia Jelita)时代(1908-1937)和皮塔·玛哈(Pita Maha)时代(1930年代)的历史发展密切相关。在皮塔·玛哈时代,以印度教为基础的现代西方美学与古典巴厘岛美学相结合。西方艺术家R.Bonnet和W.Spiese将现代美学带入巴厘岛,并与巴厘岛具有艺术时期的古典美学相融合,即被称为Seni Lukis Bali Modern(巴厘岛现代艺术绘画)。这一时期也是开始巴厘岛的现代艺术。 1950年艺术领域的学术运动是一种对表达范围内更新扩展的态度。 1966年奥尔巴鲁政府任职期间,随着许多学术艺术家的毕业,各种风格的现代艺术得以阐述。

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    I Dewa Putu Merta;

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  • 年度 2007
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  • 正文语种 {"code":"id","name":"Indonesian","id":20}
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