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Variations on a theme :the role of music in Toni Morrison´s Jazz

机译:主题的变化: 音乐在托尼莫里森的爵士乐中扮演的角色

摘要

African American music and contemporary African American literature are connected both thematically and structurally. This thesis examines the various ways in which Toni Morrison draws on the cultural traditions of her ancestors, especially blues and jazz music, in creating her sixth novel, Jazz. My analysis includes the important contexts of the history and culture of black Americans from slavery and to the present. Slaves brought with them their traditions and music, out of which musical forms including blues and jazz has have emerged. Also, black folklore is embedded in the slave narratives and it survives and is transformed in contemporary African American fiction, such as Toni Morrison’s. Jazz overflows with black history, culture, and traditions. This is especially apparent in her use of African American music, which is at the core of characterization, dialogue, structure, imagery and the themes of the novel. The first two chapters address theoretical issues. The thesis examines for example what a number of critics have written about repetition and improvisation in an African American cultural context, as well as the African American women’s struggle for voice and recognition, and how cultural tradition has played an important part in this process. The second chapter focuses on how African Americans have transformed culture to meet their changing needs throughout history, and how both culture and people have survived as a result. My particular focus is on black women and their artistic expression. Chapter three analyses the characters, narrator and intended reader, and their conscious or unconscious relationship to music in Jazz. The fourth chapter explores ways in which Morrison uses musical principles of jazz to structure the novel.
机译:非裔美国人音乐和当代非裔美国人文学在主题和结构上都联系在一起。本文研究了托尼·莫里森在创作第六部小说《爵士乐》时借鉴祖先的文化传统的各种方式,尤其是布鲁斯和爵士音乐。我的分析包括从奴隶制到现在的黑人美国人的历史和文化的重要背景。奴隶带来了他们的传统和音乐,其中包括布鲁斯和爵士乐在内的音乐形式已经出现。此外,黑人民间传说被嵌入奴隶的叙述中,并得以生存并在当代非裔美国小说(如托尼·莫里森的小说)中得到了转变。爵士乐充斥着黑人的历史,文化和传统。在她使用非裔美国人音乐时,这一点尤其明显,这是小说的特征,对话,结构,意象和主题的核心。前两章讨论理论问题。例如,本文研究了许多批评家在非裔美国人文化背景下关于重复和即兴创作的著作,以及非裔美国人妇女争取声音和认可的斗争,以及文化传统如何在这一过程中发挥了重要作用。第二章着重介绍非洲裔美国人如何通过改变文化来满足他们在整个历史中不断变化的需求,以及如何使文化和人民得以生存。我特别关注黑人女性及其艺术表现。第三章分析了人物,叙述者和目标读者,以及他们与爵士乐中有意识或无意识的关系。第四章探讨了莫里森利用爵士音乐原理构造小说的方式。

著录项

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    Berre Tone;

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  • 年度 2008
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  • 原文格式 PDF
  • 正文语种 eng
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