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Estetika rasa dalam filem arahan dan lakon oleh P. Ramlee : analisis terhadap filem Penarek Beca (1955)

机译:P. Ramlee导演和动作片中的品位美学:对电影Becar Beca(1955)的分析

摘要

This seminar paper attempts to explain the aesthetical relationships among the audience in the film directed and acted by P. Ramlee: PENAREK BECA (1955). Aesthetics is a concept related to beauty, pleasantness, usefulness embracing the physical and inner common senses. Feeling is the emotion and feeling latent in the subconsciousness of a person (unconscious). Emotions are aroused when touched by the phenomenon of cultural life of the community represented in the film that could affect the taste of a person. PENAREK BECA (1955) presents the audience with the cinematography, scenario and direction of P. Ramlee, including aesthetic design, appearance, value and sociology. Aes- thetics meant is capable to arouse the sense of anger, the core dominated feeling in the film, as well as feelings of sadness, sense of joy and heroism. PENAREK BECA (1955) was the first film directed by P.Ramlee and claimed to be capable of producing the effective aesthetical senses for the audience.
机译:这份研讨会论文试图解释由拉姆利(P. Ramlee)执导和表演的电影中观众之间的审美关系:佩纳雷克·贝卡(PENAREK BECA)(1955)。美学是一个与美感,愉悦感,实用性相关的概念,涵盖了身体和内在的常识。感觉是潜伏在一个人(无意识)的潜意识中的情感和感觉。当影片中所代表的社区的文化生活现象可能会影响一个人的品味时,就会引起他们的情绪。 PENAREK BECA(1955)向观众展示了P. Ramlee的电影,场景和方向,包括美学设计,外观,价值和社会学。美学意味能够激发愤怒感,电影中核心的感受以及悲伤,喜悦和英雄主义的感觉。 PENAREK BECA(1955)是P.Ramlee执导的第一部电影,声称能够为观众带来有效的审美感。

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