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Ut Musica Poesis: An Approach to the Dialogue between Literature and Music

机译:音乐剧的诗意:文学与音乐对话的一种方法

摘要

[Abstract] The pervasive presence of music in contemporary fiction parallels the crucial role played by painting in novels and short stories since the late 1990s. Such a parallel, however, has not had a correspondence in the field of interart poetics, since the growing interest in the critical assessment of the literature-painting interface cannot be matched by the scarce attention paid to the dialogue between literature and music nowadays. This unequal reception of the interaction of the sister arts emerges as the area of enquiry of the present paper, which examines the appraisal of the relationship of literature and music in comparison with that of literature and painting. Moreover, and in an attempt to sketch a theoretical framework reflecting the current relevance of the musico-literary conversation, the paper explores a revised version of the classical strategy of ekphrasis, and suggests a new variant of the traditional ut pictura poesis maxim.
机译:[摘要]当代小说中音乐的普遍存在与1990年代后期以来绘画在小说和短篇小说中扮演的关键角色相似。然而,在平行艺术诗学领域,这种相似性并没有对应关系,因为对文学绘画界面的批判性评价的日益增长的兴趣无法与当今对文学与音乐之间的对话的关注不足相提并论。这种对姐妹艺术互动性的不平等接受成为本文研究的领域,该领域将对文学与音乐之间的关系与文学与绘画之间的关系进行评价。此外,为了勾勒出反映音乐-文学对话当前相关性的理论框架,本文探索了经典的ekphrasis策略的修订版,并提出了传统的ut pictura poesis maxim的新变体。

著录项

  • 作者

    Lara Rallo Carmen;

  • 作者单位
  • 年度 2008
  • 总页数
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类

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