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Courting Dissolution Adumbration, Alterity, and the Dislocation of Sacrifice from Space to Image

机译:寻求溶出度的象征,变化和牺牲从空间到图像的错位

摘要

Michael Lent asks what role art has in colonisation and subsequent dissolution. He proposes a practice informed by the fatal strategies and 'raw' phenomenology of Jean Baudrillard as a challenge to a system of disappearance. Focusing on the otherness of space to prevent its ultimate dissolution, Lent promotes a spatial practice of radical alterity. Examining ideas of disappearance put forth by Baudrillard and Paul Virilio, he utilises art as a means for investigating loss of potentiality and experience through the representation of space, shifting their ideas – originally ascribed to objects – into a new emphasis.udThis book ultimately attempts to break a cyclical system that causes everything to disappear into representation and equivalency.
机译:迈克尔·兰特(Michael Lent)询问艺术在殖民化和随后的消亡中起什么作用。他提出了一种以让·鲍德里亚(Jean Baudrillard)的致命策略和“原始”现象学为基础的实践,作为对失踪系统的挑战。四旬斋着眼于空间的另一性以防止其最终消散,它促进了彻底改变的空间实践。在研究鲍德里亚和保罗·维里里奥(Paul Virilio)提出的消失观念时,他将艺术作为一种手段,通过表现空间来调查潜能和经验的丧失,将其最初归因于物体的观念转变为一种新的强调。 ud本书最终尝试打破一个周期性的体系,使所有事物消失为代表性和等价性。

著录项

  • 作者

    Lent M. (Michael);

  • 作者单位
  • 年度 2016
  • 总页数
  • 原文格式 PDF
  • 正文语种 en
  • 中图分类

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