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La fête de Taunbyon : le grand rituel du culte des naq de Birmanie (Myanmar)

机译:陶恩比节(Taunbyon Festival):缅甸纳克(Naq)崇拜的盛大仪式

摘要

The Taunbyon Festival: the Central Rituals of the Naq Cult in Burma by Bénédicte Brac de la Perrière The article describes and analyses the yearly naq festival held during the month of August in the village of Taunbyon, north of Mandalay. The festival is part of a larger festival-cycle in central Burma connected to the possession cult of the 37 naq. It focus on two heroes, the Muslim Brothers, who were executed near Taunbyon on the order of King Anawratha (1044-1077), the founder of the first Burmese Kingdom. By establishing a cult to the two liquidated heroes, King Anawratha transformed their spirits into naq and used their powers to protect the Taunbyon region. The festival is important not only for people of the region but also for professional mediums from all over Burma. Mediums performe dances and local people make offerings during the ceremonies as an homage to the naq. The King's transformation of the heroes into naq is also commemorated by the dignitaries of the cult, while villagers are impersonating the two brothers. For local people, the primary function of the commemoration appears to be to secure the fertility of their land. For the medium, the commemoration regenerates the powers of the naq images, which are vital in their possession practices. From a more general perspective, the festival tends to reaffirm the relation between kings and naq, a relationship built on the allegiance of the former rivals that became naq and determined by the king's Buddhist values. It also reflects the historical relationship between central power and local communities in Burma. Although the royal period ended in 1885, the festival continues to use the idiom of kingship, and it may still have a value for a central power referring to the authority of Buddhism to keep potentially divergent forces united.
机译:Taunbyon节:BénédicteBrac de laPerrière在缅甸举行的纳克崇拜的中央仪式这篇文章描述并分析了8月份每月在曼德勒以北Taunbyon村举行的纳克节日。该节日是缅甸中部较大的节日活动的一部分,该节日活动与37 naq的藏匿崇拜相关。它集中于两个英雄,即穆斯林兄弟,他们是在第一个缅甸王国的建立者阿纳瓦拉达国王(1044-1077)的命令下在陶恩比恩附近被处决的。通过建立对两个被封杀的英雄的崇拜,国王阿纳瓦拉达国王将他们的精神变成了纳粹,并利用自己的力量来保护陶恩比恩地区。这个节日不仅对当地人重要,而且对缅甸各地的专业媒体也很重要。媒体表演舞蹈,当地人在仪式上献祭以向纳克致敬。国王的英雄们也纪念了国王将英雄转变为纳克人的行为,而村民们则冒充了这两个兄弟。对于当地人而言,纪念活动的主要功能似乎是确保其土地的肥沃性。对于媒体而言,纪念活动重现了naq图片的功能,这对于它们的保存实践至关重要。从更一般的角度来看,音乐节倾向于重申国王与纳克人之间的关系,这种关系是建立在前竞争对手的忠诚度基础上的,并由国王的佛教价值观决定。它还反映了缅甸中央权力与地方社区之间的历史关系。尽管皇家时期于1885年结束,但音乐节继续使用王权这一成语,它对于具有中央权威的力量仍然具有价值,指的是佛教的权威,以保持潜在的分歧力量团结一致。

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