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‘Genuine Mutual Benefits’: A Public Value Account of Arts Community Engagement Programs as Core Business

机译:“真正的互惠互利”:以艺术社区参与计划为核心业务的公共价值账户

摘要

This article draws on Mark Moore's theorising of strategic management in terms of 'public value' and a detailed case study to examine some of the key themes and issues raised by recent changes in the cultural leadership role of a public and non-profit organisation in the arts and culture sector. Beginning with an historical account of 'public value' as a variant of strategic management, the article considers it in relation to Australia's performing arts centres and the Adelaide Festival Centre (AFC) in particular, before examining the specific case of the AFC's Our Mob Indigenous visual arts project. This case study discussion illustrates the article's main points about the socio-political contexts within which evidence gains its value and leverage, cultural leadership's potential to lift the burden of proof carried by public arts organisations, and the prospects for arts community engagement programs to reconfigure what is meant by 'core business'.
机译:本文借鉴了马克·摩尔(Mark Moore)关于“公共价值”的战略管理理论,并进行了详细的案例研究,以研究公共和非营利组织在企业文化领导角色的最新变化中引发的一些关键主题和问题。艺术和文化部门。本文从对战略管理的变体“公共价值”的历史描述开始,在考察AFC的“我们的暴民”案例之前,认为它与澳大利亚的表演艺术中心尤其是阿德莱德节日中心(AFC)有关。视觉艺术项目。本案例研究讨论说明了本文的主要观点,即证据在其中获得价值和影响的社会政治背景,文化领导者减轻公共艺术组织承担的举证负担的潜力以及艺术界参与计划重新配置内容的前景是指“核心业务”。

著录项

  • 作者

    Adair David;

  • 作者单位
  • 年度 2014
  • 总页数
  • 原文格式 PDF
  • 正文语种 English
  • 中图分类

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