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Protestant Space-Continuity. Architectural–Structural–Liturgical Coherences of the Hungarian Protestant Church Architecture in the 20th Century

机译:新教徒的空间连续性。二十世纪匈牙利新教教堂建筑的结构—结构—语言学一致性

摘要

Intensive efforts started in the last decades to get to know udthe Central and Eastern European and the Hungarian church udarchitecture. In this historically depressed period (1920–1945–ud1989), church buildings were important identity forming udpotencies in the life of the Protestant communities newly udemerged by the rearrangement of country's borders and the udurbanization of the peripheries of the cities. The modern udarchitectural principles and the structural and liturgical udquestions gave opportunity for continuous experimentations in udthe examined period, which resulted a centralizing tendency – udbasically with origins from L. Ch. Sturm and O. Bartning – udbetween the two world wars. Analysing the Protestant space udorganization, it is verifiable that these centralizing udtendencies with identification character did not pull out from udthe de-emphasizing church architecture in spite of the udhistorical–political events of World War II., but they were udrealized in new Protestant church plans after the change of the udregime, as a matured, new church type based on traditions. The udprimary importance of the study is the holistic examination of udthe Protestant church architecture of the 20th century: it udtries to show the interwar centralizing tendencies and the udcontinuing space approach of ‘80s. In Protestant church udarchitecture, modern architecture with its puritan, industrial udaesthetics was realised relatively late, compared to Catholic udchurches, and it became legitimate by strongly structural udorientating appearing from the mid-70s. Our research shows udthrough some examples that the space structure continuity can udbe understood in relation with the questions of style and the udappearance and spread of modernism. All of this is in udconnection with the centralizing plan forming, which is the udmost obvious symbolical visualizing effect of the community. udThe study shows the Protestant church activity of the period udthrough the two most significant denominations – the Calvinist udand the Lutheran church architecture –, thereby providing a udtypological approach.
机译:在过去的几十年中,人们开始加倍努力以了解中东欧和匈牙利教堂的建筑风格。在这个历史萧条的时期(1920–1945– ud1989),教堂建筑是重要的身份认同,形成了新教徒社区生活中的优势,而新近被国家边界的重新布置和城市周边地区的城市化所淹没。现代的建筑主义原则以及结构和礼拜式的质疑,为在这段时期内进行连续实验提供了机会,这导致了一种集中化的趋势。 Sturm和O. Bartning –在两次世界大战之间。分析新教徒的空间组织,可以证实,尽管第二次世界大战的历史/政治事件,这些具有识别特征的集中宗教并没有退出对强调教堂建筑的重视,但是它们已经被实现了。 udregime变更后,在新的新教教会计划中,它是基于传统的成熟的新教会类型。该研究的“最重要”是对20世纪新教教会建筑的整体考察:它试图表明两次世界大战之间的集中化倾向和80年代的“持续空间”方法。与天主教的教堂相比,在新教的教堂建筑中,具有清教徒,工业美学的现代建筑相对较迟才实现,并且由于70年代中期出现的强烈结构化取向而成为合法。我们的研究通过一些例子表明,空间结构的连续性可以与风格,现代主义的出现和传播等问题联系起来理解。所有这些与集中计划的形成有关,这是社区最明显的象征性可视化效果。研究表明,该时期的新教教会活动通过两个最重要的教派–加尔文教派和路德教会的建筑–从而提供了“典范”研究方法。

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