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Thirdspaces, Tactics and Bricolage: A Postmodern Identity Construction in the Composition Classroom

机译:Thirdspaces,Tactics和Bricolage:作文教室中的后现代身份建构

摘要

In this dissertation, Claire Lauer proposes a spatial-metaphorical model for exploring and communicating the self in composition. She uses the concepts of Edward Soja's Thirdspace, Michel de Certeau's tactics, and Turkle and Papert's bricolage as lenses through which to analyze and understand the spatial-metaphorical self-constructions that students in her classes built in the virtual reality of the MOO. These lenses reveal a new kind of agency, one that finds power in complexity and refuses reduction. Through their sites, students show themselves to be comfortable with the unfamiliar and the ambiguous, but also able to adapt, change shape, and see the I as an all--as an infinite sum and ever-changing total. Lauer argues that offering students the opportunity to construct themselves spatially and metaphorically disrupts their assumptions about identity and provides them with new ways of expressing their postmodern subjectivities--of speaking to and about their ever-shifting proximities to the people and events in their lives.Lauer argues that recognizing the complexity of identity facilitates a recognition of the complexity of culture and communication, and shows how identity construction assignments can thus serve as models for larger knowledge exploration and construction. She concludes by arguing that the analysis and production of new media in the composition classroom is essential to the continued goal of composition instructors fostering critical engagement in the classroom. As an extension of identity investigation, such engagement should be a cornerstone of first-year composition and does not have to be at odds with the more practical work of preparing students for their academic careers. In fact, it facilitates the more practical work instructors do in composition because it allows students to see the constructed nature of all discourses and become aware of how we both compose and are composed by the texts we encounter.
机译:在本文中,克莱尔·劳尔(Claire Lauer)提出了一种空间隐喻模型,用于探索和传达自我的构图。她以爱德华·索亚(Edward Soja)的《第三空间》,米歇尔·德·塞多(Michel de Certeau)的策略以及特克尔和帕佩特的Bricolage的概念作为镜头,通过这些镜头来分析和理解她的班级学生在MOO虚拟现实中构建的空间隐喻自我构造。这些镜头揭示了一种新型的代理机构,这种代理机构在复杂性中找到了力量,却拒绝减少代理。通过他们的网站,学生表现出对陌生和模棱两可的感觉感到自在,但他们能够适应,改变形状并将I视为一个整体-作为一个无限的总和不断变化的总数。劳尔(Lauer)认为,为学生提供在空间上和隐喻上进行建构的机会破坏了他们对身份的假设,并为他们提供了表达其后现代主观性的新方式-与生俱来的对人和事物的日趋接近和交谈。劳尔认为,认识到身份的复杂性有助于认识到文化和交流的复杂性,并说明身份构造任务如何可以作为更大的知识探索和建构的模型。她总结说,作曲教室中新媒体的分析和制作对于作曲教练继续培养目标关键课堂的持续目标至关重要。作为身份调查的扩展,这种参与应该是第一年组成的基石,并且不必与为学生做好学习准备的更实际的工作相矛盾。实际上,它使教师可以更实用地进行写作,因为它可以让学生看到所有语篇的结构性,并了解我们如何组成以及所遇到的文本是如何组成的。

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    Lauer Claire;

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  • 年度 2006
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  • 原文格式 PDF
  • 正文语种 EN
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