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Ideological intersections: Interrogating culture and pedagogy in telecourses that teach American literature and composition

机译:意识形态交叉点:教美国文学和作文的电视课程中的文化和教学法问题

摘要

In Ideological Intersections: The Cultural Work and Practical Implications of American Literature and Composition Telecourses, I draw on both my own experience developing, producing, and teaching two composition telecourses and an analysis of three nationally-produced and distributed telecourses in order to explain the benefits and disadvantages of using one-way, non-interactive telecourses to teach English studies courses. The Introduction locates the use of educational technologies within the current academic labor crisis in the Humanities. Chapter 1 situates the telecourse within the theoretical and pedagogical issues that confront teachers of writing, Chapter 2 describes in detail the viewing experience and the logistics of three composition telecourses, and Chapter 3 focuses on two of the leading, nationally distributed literature telecourses. The first sections of Chapter 4 demonstrate that telecourses have proved to be an accessible educational opportunity for students who would otherwise not attend school, an opportunity for faculty to gain new skills, and an additional revenue source for institutions. However, there are three primary disadvantages: (1) students have little opportunity for interaction, (2) telecourses have a markedly high drop-out rate; and (3) the course material is markedly conservative. The latter sections of Chapter 4 present technological solutions to the problem of interactivity, with the warning that such computerized teaching methods may function as a repressive surveillance system that inappropriately regulates faculty members and students. Chapter 5 demonstrates that the telecourses function as an ideological apparatus that transmits American culture. As such, the televised material reifies the rhetoric of the American melting pot, perpetuating the myth of standardized Americans who are happily inculcated into the educational and occupational systems of mainstream America, without acknowledging the complications or difficulties faced by such characters in real life. Moreover, the televised material reproduces the rhetoric of American individualism, offering students a false vision of a future of unbound glories in order to train them in occupational and functional literacy at the expense of critical, oppositional thinking. The Epilogue returns to the disturbing implications for academic labor, and argues that classroom teachers may no longer be necessary if institutions can disseminate information with the help of new technologies and simply hire inexpensive teachers to be responsible for logistics and assessment.
机译:在“思想交叉点:美国文学和作文电视课程的文化工作和实践意义”中,我借鉴了自己开发,制作和教授两种作文电视课程的经验,并分析了三种本国制作和发行的电视课程,以解释其益处。使用单向,非交互式电视课程教授英语学习课程的弊端。引言在当前人文学科学术危机中定位了教育技术的使用。第一章将远程教学置于写作老师所面临的理论和教学问题之内,第二章详细描述了三种写作远程教学的观看经验和后勤工作,第三章重点介绍了两种领先的,全国性分布的文学远程教学。第四章的第一部分表明,事实证明,远程教育对于那些原本不会上学的学生而言是一种无障碍的教育机会,是教师获得新技能的机会,并且是机构的额外收入来源。但是,存在三个主要缺点:(1)学生很少有互动的机会;(2)远程课程的辍学率非常高; (3)课程材料明显保守。第4章的后半部分介绍了交互性问题的技术解决方案,并警告说,这种计算机化的教学方法可能会充当压抑性监视系统,对教师和学生的管理不当。第五章证明了远程课程是一种传播美国文化的意识形态工具。这样一来,电视转播的资料就强化了美国熔炉的修辞,使标准的美国人神话化,他们很高兴地被灌输到美国主流的教育和职业体系中,却没有意识到这些人物在现实生活中所面临的复杂性或困难。此外,电视转播的材料再现了美国个人主义的言论,为学生提供了对未来无限荣耀的虚假愿景,从而以批判性,对立思维为代价,对他们进行了职业和功能素养的培训。尾声回到了对学术劳动的令人不安的影响,并指出如果机构可以借助新技术传播信息并仅仅雇用廉价的教师来负责后勤和评估,那么课堂老师可能就不再必要。

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    Accetta Randolph Alan;

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  • 年度 2000
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