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'Us Lone Wand'ring Whaling-Men': Cross-cutting Fantasies of Work and Nation in Late Eighteenth- and Nineteenth-Century American Whaling Narratives

机译:“我们孤独的旺德林捕鲸人”:18世纪末和19世纪末美国捕鲸叙事中的工作和国家跨领域幻想

摘要

My project takes up a variety of fictional and non-fictional texts about a kind of work which attracted the attention of American novelists Herman Melville, Harry Halyard, and Helen E. Brown; historian Obed Macy; and journalist J. Ross Browne, among others. In my Introduction, I argue that these whaling narratives helped to further develop and perpetuate an already existing fantasy of masculine physical labor which imagines the United States' working class men to be ideal, heroic Americans. This fantasy was so compelling and palpable that, surprisingly enough, the New England whalemen could be persistently claimed as characteristically and emblematically American, even though they worked on hierarchically-stratified floating factories, were frequently denied their Constitutional rights by maritime law, and hardly ever spent any time on American soil.In my second chapter, I scrutinize the emerging assumption of an ideological fantasy of masculine physical labor that was specifically American and interrogate how certain kinds of physical labor, farming and whaling among them, were cast as particularly American in the eighteenth and nineteenth centuries. Chapter 3 demonstrates that there was something about the work of whaling that resisted these kinds of nationalistic appropriations, and I present a close analysis of Crèvecoeur, Cooper, and Melville's whaling narratives. My fourth chapter further explores this resistance, and I read Melville's Moby-Dick alongside J. Ross Browne's Etchings of a Whaling Cruise, arguing that both Melville and Browne—despite their texts' formal differences—share an intellectual project of configuring certain aspects of the collective, physical labor of whaling as artistically generative. Chapter 5 addresses both reactionary and progressive depictions of whaling wives with regard to domesticity and nationality. My last chapter examines how some separatist-minded Nantucket Islanders demonstrated that federalism was contested not just in the antebellum South, but in other areas of the United States as well. Taken together, all of these chapters address different aspects of the complex and multifaceted identity of the American whalemen, but they also show how a particularly resilient ideological fantasy of masculine American labor develops and gains power, perpetuating itself across time.
机译:我的项目涉及有关一种作品的各种虚构和非虚构文本,这些文本引起了美国小说家赫尔曼·梅尔维尔,哈里·哈亚德和海伦·布朗的关注。历史学家Obed Macy;还有记者J. Ross Browne等。在我的导言中,我认为这些捕鲸的叙述有助于进一步发展和延续已经存在的男性体力劳动的幻想,这种幻想使美国工人阶级的人成为理想的,英勇的美国人。这种幻想是如此引人注目和可察觉,以至于令人惊讶的是,即使新英格兰捕鲸者在等级分层的浮动工厂工作,也经常被海商法剥夺其宪法权利,而且几乎从未被人断言是具有特征和象征意义的美国人。在我的第二章中,我仔细研究了关于男性体力劳动意识形态幻想的新兴假设,该假设专门针对美国,并质疑其中某些类型的体力劳动,耕种和捕鲸是如何在美国成为特别的美国人的。十八和十九世纪。第3章表明,在捕鲸工作中存在某种抵制这种民族主义侵害的东西,我将对Crèvecoeur,Cooper和Melville的捕鲸叙述进行详细分析。我的第四章进一步探讨了这种抵抗,我读了梅尔维尔(Melville)的《白鲸记》(Moby-Dick)和J.罗斯·布朗(J. Ross Browne)的《鲸船游记蚀刻版画》(Etchings of a Whaling Cruise),认为梅尔维尔和布朗(尽管文本存在形式上的差异)共享了一个智力项目,该项目配置了集体捕鲸的体力劳动,在艺术上具有生成性。第五章讨论了捕鲸妻子在国籍和国籍方面的反动和渐进描写。我的最后一章探讨了一些持分裂主义思想的楠塔基特岛民如何证明联邦制不仅在南部战前遭到了质疑,而且在美国其他地区也受到了质疑。综上所述,所有这些章节都论述了美国捕鲸者身份复杂多面的不同方面,但它们也显示了一种阳刚的意识形态对美国男性劳动者的幻想如何发展并获得权力,并随着时间的流逝而永存。

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    Schell Jennifer Hope;

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  • 年度 2006
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  • 正文语种 en
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