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Turning the Tables: American Restaurant Culture and the Rise of the Middle Class, 1880-1920

机译:转盘:1880-1920年美国餐馆文化和中产阶级的崛起

摘要

This dissertation examines changes in restaurant dining during the Gilded Age and the Progressive Era as a means of understanding the growing influence of the middle-class consumer. It is about class, consumption and culture; it is also about food and identity.In the mid-nineteenth century, restaurants served French food prepared by European chefs to elite Americans with aristocratic pretensions. "Turning the Tables" explores the subsequent transformation of aristocratic restaurants into public spaces where the middle classes could feel comfortable dining. Digging deeply into the changes restaurants underwent at the turn of the century, I argue that the struggles over restaurant culture—the battles over the French-language menu, the scientific eating movement, the celebration of cosmopolitan cuisines, the growing acceptance of unescorted women diners, the failed attempts to eliminate tipping—offer evidence that the urban middle class would play a central role in the construction of twentieth-century American culture.Economic development in the late nineteenth century created the necessary conditions for the growth of a professional and managerial class, but it was consumption that shaped these urbanites into a coherent class. Lacking the cultural capital necessary to emulate the elite, the middle class distanced themselves from an aristocratic culture they deemed too French and came to patronize restaurants—some featuring ethnic cuisine—that reflected their own cosmopolitan values. Ultimately, this patronage created a middle-class culture that challenged traditional notions of public dining. Taking issue with cultural theorists who argue that class hierarchies are unassailable, I contend that the collective purchasing power of the middle class effected a cultural coup that changed future generations understanding of national identity, gender and ethnicity.The emergence of a middle-class consuming public had far-reaching ramifications. Not only did the middle classes demonstrate their agency in choosing to patronize restaurants that catered to their tastes, but they also established an institutional basis for asserting their cultural influence. In the nineteenth century, the middle classes imitated the rich; in the twentieth century, the middle classes became the nation's cultural arbiters.
机译:本文考察了镀金时代和渐进时代餐厅用餐的变化,以此作为理解中产阶级消费者日益增长的影响力的一种手段。它与阶级,消费和文化有关;在19世纪中叶,餐馆向欧洲贵族假装的精英美国人供应由欧洲厨师烹制的法国美食。 “转动桌子”探讨了随后贵族餐厅向公共空间的转变,使中产阶级可以在舒适的环境中用餐。我深入探讨了世纪之交的饭店变化,我认为饭店文化方面的斗争-法语菜单方面的斗争,科学饮食运动,大都会美食的庆祝活动,越来越多的未经陪同的女性就餐者的接受,这是消除小费的失败尝试-提供的证据表明,城市中产阶级将在20世纪美国文化的构建中发挥核心作用。19世纪末的经济发展为职业和管理阶层的成长创造了必要条件,但正是消费使这些城市居民变成了一个连贯的阶级。中产阶级由于缺乏模仿精英阶层所必需的文化资本,因此远离了他们认为过于法国化的贵族文化,并光顾了一些餐厅,这些餐厅反映了自己的国际化价值观,其中一些餐厅以民族美食为特色。最终,这种光顾创造了一种中产阶级文化,对传统的公共用餐观念提出了挑战。我对那些认为阶级等级制度无懈可击的文化理论家表示质疑,我认为中产阶级的集体购买力产生了文化政变,改变了后代对民族认同,性别和种族的理解。有深远的影响。中产阶级不仅在选择光顾符合自己口味的餐馆方面展示了他们的代理机构,而且还建立了确立其文化影响力的制度基础。在19世纪,中产阶级模仿了富人。在20世纪,中产阶级成为国家的文化仲裁者。

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  • 作者

    Haley Andrew Peter;

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  • 年度 2005
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