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Monadic, material and mirroring: Female bodies in track athletics culture

机译:单声道,素材和镜像:田径运动文化中的女性身体

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摘要

This study explored how female track athletes experience and use their bodies within the contexts (social places) that form part of their everyday routines. Using ethnographic methods (focus groups, observations, self-directed photographic elicitation, and reflexive diary entries) the research focused on a training group of five semi-elite female track athletes based in the UK in which one researcher was a full participant. Arthur Frank’s theory of the body is employed as an analytical lens to explore and illuminate the predominant types of body usage manifest in their embodiments. The findings indicated that the athletes were predominantly mirroring bodies, with focus on appearance central to their experiences. Crucially, these women desired more muscle in the mirroring process. Finally, attention is drawn to Frank’s typology as a useful framework through which to contribute to some of the key issues related to women’s experiences of their bodies in sport.
机译:这项研究探索了田径女运动员如何在构成日常活动一部分的环境(社交场所)中体验和使用自己的身体。使用人种学方法(焦点小组,观察,自我指导的摄影启发和反省日记条目),研究集中于一个训练小组,该小组由五名来自英国的半精英女性田径运动员组成,其中一名研究人员是全部参与者。亚瑟·弗兰克(Arthur Frank)的身体理论被用作分析镜头,以探索和阐明人体免疫反应在其具体体现中的主要类型。调查结果表明,运动员主要是镜射身体,侧重于他们体验的核心外观。至关重要的是,这些女性在镜像过程中需要更多的肌肉。最后,提请注意弗兰克(Frank)的类型学,将其作为一个有用的框架,通过它有助于解决与女性在运动中的身体经历有关的一些关键问题。

著录项

  • 作者

    Stewart Carly; Pullen E.;

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  • 年度 2014
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  • 原文格式 PDF
  • 正文语种 en
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