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La lectura incestuosa de 'La vida es sueño'

机译:乱伦读着《人生就是梦想》

摘要

It has been said so much about "Life is a Dream" that it seems not to be probable to say anything more, but on the other hand there is such a disagreement and plurality concerning the criticism that is related to the work that it looks like there is still so much left to say about it. Being the debate between these two views, our work tries to focus on the consequences that are derived from the analysis of a character who is never appeared on the stage and is barely named along the text. This character is not other but Clorilene. It has been only two times in which her name comes on the scene and that is the reason why the critics have considered appropriated to talk about two different characters. However, there have also been some people who support the idea about these two Clorilene could be the same character, that is the same person. All doubts are left out by contextualizing the subject and taking into account that if Clorilene who is Basiliós sister and the other Clorilene who is Basiliós wife are the same character, then we would be talking that such a coincidence could be incest. So Segismundo would be the son of such incest. On our opinion, there is no need to insist more on the legitimacy of the incestuous reading of "Life is a Dream", so the contributions we count on are enough to be sure about their validity. However, our work takes an enough span to account for the accumulated bibliography about the case, although it is not very numerous, it is useful. The aim of this thesis is not to question the existence of the incest. It would not be a novelty and as we have said before, the incest is there and it works. However, what is still left to do is an exercise of general interpretation about "Life is a Dream" and to analyze to what extend it could be relevant the reason for the incest or if it is not other thing that a word game that the author ventured without much pretension that the "onomastic incest" which Maurice Molho referred to...
机译:关于“生命是梦想”的说法太多了,似乎似乎不再多说什么了,但是另一方面,关于与看起来像作品的批评有关的分歧和多元性还有很多话要说。作为这两种观点之间的辩论,我们的工作着眼于从对一个从未出现在舞台上且在文本中几乎没有名字的角色的分析得出的结果。这个角色不是别的,而是Clorilene。她的名字出现只有两次,这就是评论家认为适合谈论两个不同角色的原因。但是,也有一些人支持关于这两个Clorilene的想法,他们可能是同一个人,也就是同一个人。通过对主题进行上下文化并考虑到如果Basilio的姐姐Clorilene和Basilio的妻子另一个Clorilene是同一角色的话,所有的疑问都将被排除在外,那么我们可以说这样的巧合可能是乱伦的。因此,塞吉斯蒙多将是这种乱伦的儿子。我们认为,不必再对乱七八糟的“生命是梦想”的解读的合法性进行坚持,因此我们所依靠的贡献足以确保其有效性。但是,我们的工作花了足够的时间来解释关于此案的参考书目,尽管它不是很多,但很有用。本文的目的不是质疑乱伦的存在。这将不是什么新鲜事物,而且正如我们之前所说的,乱伦就在那里而且它有效。但是,剩下要做的是对“生命就是梦想”进行一般性解释,并分析它延伸到何种程度可能与乱伦的原因有关,或者与作者所说的文字游戏不是其他事情有关冒昧地冒着莫里斯·莫洛(Maurice Molho)所指的“反常乱伦” ...

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    Trives Sánchez Eva;

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