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‘Ich setze diese Zeitschrift wider diese Zeit’ - Die Gesellschaftskritik der Zeitschrift Aktion (1911-1919)

机译:“我这次反对这本杂志”-Aktion杂志(1911-1919)的社会批评

摘要

Franz Pfemfert’s Aktion (1911-1932) was one of the most influential journals of the German expressionist movement. Between 1911 and 1919 it served as a sanctuary and career stepping stone for a number of young, still undiscovered modern writers, artists and critical thinkers. Under the strong influence and strict, often dogmatic, guidance of its sole owner, publisher and editor Franz Pfemfert (1879-1954) Aktion articulated a unique blend of modern art and oppositional left-wing revolutionary politics.udUnlike other expressionist journalists of its time Aktion was entirely preoccupied with a comprehensive, in-depth and above all critical examination of Wilhelmine society within the socio-political and historical context of its time. Consequently the overall content of this journal alongside its editorial criteria reflected the inseparable link between major historical events and the changing socio-political and artistic stance of the journal itself.udThe aim of this dissertation is to provide a comprehensive literary-historical analysis and to examine the focal point of the journal’s continual critique of society, namely the intransigent denunciation of Wilhelmine authoritarianism and its numerous institutional and ideological manifestations as primary causes of oppression, social injustice and conflict. While the antiauthoritarian critique of society is illustrated as the main objective of the action, this study also identifies the ever-present symbiosis of intense ambivalence and inveterate idealism within the theoretical understanding and practical modus operandi of the journal as the main trigger in its seemingly unstoppable process of politicization, ideological radicalisation and subsequent isolation. This thesis draws upon a wide range of selected editorials, political-theoretical articles as well as literary-artistic contributions from within the Aktion, while historically initiated changes in Pfemfert’s editorial policy serve to divide the overall development of the journal into three distinctive timeframes (a) pre-war phase February 1911-August 1914; b) war phase August 1914-November 1918 and c) revolutionary phase November 1918-end of 1919).
机译:弗朗兹·普费姆费特(Franz Pfemfert)的Aktion(1911-1932)是德国表现主义运动最有影响力的期刊之一。在1911至1919年间,它为许多年轻但尚未发现的现代作家,艺术家和批判思想家提供了庇护所和职业生涯的垫脚石。在其唯一所有者,出版商和编辑弗朗兹·普费姆费特(1879-1954)的强大影响和严格的,通常是教条的指导下,阿克蒂安表达了现代艺术与对立的左翼革命政治的独特融合。 ud与当时的其他表现主义记者不同Aktion完全专注于在其时代的社会政治和历史背景下对威廉社会进行全面,深入,尤其是批判性的考察。因此,该期刊的整体内容及其编辑标准反映了重大历史事件与期刊本身不断变化的社会政治和艺术立场之间有着密不可分的联系。 ud本文的目的是提供全面的文学历史分析并考察该杂志不断批评社会的焦点,即对威廉威权主义的顽强谴责及其作为压迫,社会不公正和冲突的主要原因的众多制度和意识形态表现。尽管以反独裁的社会批评为行动的主要目标,但这项研究还发现,强烈的矛盾情绪和顽固的理想主义共存,这是该杂志似乎不可阻挡的理论理解和实践手法的主要触发因素。政治化,意识形态激进和随后的孤立的过程。本论文借鉴了Aktion内部的大量精选社论,政治理论文章以及文学艺术作品,而Pfemfert编辑政策的历史性变革有助于将期刊的整体发展分为三个不同的时间框架(a )战前阶段1911年2月至1914年8月; b)战争阶段1914年8月至1918年11月,c)革命阶段1918年11月至1919年底。

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    Zulovic Sabina;

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