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L'apparition de la danse : construction et émergence du sens dans le mouvement. : à partir de la philosophie de Susanne Langer

机译:舞蹈的出现:运动中意义的建构和出现。 :基于苏珊·兰格(Susanne Langer)的哲学

摘要

The aim of our work is to consider and study dance as a sense-Building activity. Sense is a complex notion, which has been variously conceptualized in the course of dance history but merely investigated. In order to do so, we build upon the works of Suzanne Langer, a 20th century American philosopher whose writings explore the concept of “symbol”. She elaborated an original thought about dance and came up with concepts that allowed her to circumscribe the symbolic processes happening during the non-Discursive practices, in art especially. Rather than looking at dance from an ontological point of view or as a category that gathers certain types of moves, we choose to study it as something that may appear on an intermittent basis. Watching dance this way makes it possible for us to give an account of the possibility of its emergence in any kind of movement, whether it happens in the course of artistic dance, festal dance, mime, cinema, rite or within a digital creation. This decision not to reduce a priori the field of study allows us to draw a posteriori a clear distinction between dance and any other kind of moves or bodily practices. Indeed, our work tends to claim the fundamental specificity of dance, whatever environments, moments or bodies in or during which it occurs – a specificity that may be explained by its unique symbolic processes and the meanings or senses it may build or give birth to.
机译:我们工作的目的是将舞蹈视为一种建立感官活动。感觉是一个复杂的概念,它在舞蹈史过程中已被各种概念化,但仅作了研究。为此,我们以20世纪美国哲学家苏珊娜·兰格(Suzanne Langer)的作品为基础,他的著作探讨了“符号”的概念。她阐述了关于舞蹈的原始思想,并提出了一些概念,使她可以限制非干扰性练习(尤其是艺术)中发生的象征性过程。与其从本体论的角度看待舞蹈,也不将其看作是收集某些类型的动作的类别,而是选择将其研究为可能间歇出现的事物。以这种方式观看舞蹈使我们有可能解释其在任何形式的运动中出现的可能性,无论它是发生在艺术舞蹈,节日舞蹈,哑剧,电影,仪式,还是在数字创作中。决定不减少研究领域的先验性的决定使我们能够在舞蹈与任何其他类型的动作或身体练习之间明确区分后人。确实,我们的工作倾向于声称舞蹈的基本特性,无论在其中发生舞蹈的环境,时刻或身体如何,其独特性都可以通过其独特的象征性过程以及其可能产生或产生的意义或感觉来解释。

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    Thuries Aude;

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