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Sustainability and Art Making

机译:可持续发展与艺术创作

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In this essay Andrea Olsen discusses the dialogue between the goals of sustainability practices and the skills of art making. She draws on examples from her daily walks on the Monterey Peninsula in California and 30 years of teaching dance and environmental studies at Middlebury College in Vermont. As visiting scholar at the Monterey Institute of International Studies spring semester 2013, Olsen reflects on the edge between all that we know from our heritage and studies and all there is to discover moment by moment—the dynamic ecotone of art and science. She considers that the creative process of art making gives students the confidence to visualize an idea and make it real—whether that's installing a complex public sculpture or saving an old-growth forest. Artistic discipline provides students with a practiced form and skills for expression so they avoid depression, aggression, andrepression—the burnout and health issues that accompany challenging projects. Overall, Olsen concludes, the arts help you feel—sustaining a conservation ethic through responsiveness to both form and flow.
机译:在本文中,安德里亚·奥尔森(Andrea Olsen)讨论了可持续发展实践的目标与艺术制作技能之间的对话。她从在加利福尼亚州蒙特雷半岛的日常散步以及在佛蒙特州Middlebury学院教授舞蹈和环境研究30年的例子中汲取了很多例子。作为2013年春季学期蒙特利国际研究学院的访问学者,奥尔森反思了我们从传统和研究中所了解的一切与每时每刻都在发现的边缘-艺术与科学的动态交织。她认为,艺术创作的创造性过程使学生充满信心将一个构想变为现实,无论是安装一个复杂的公共雕塑还是保存一个古老的森林。艺术学科为学生提供了练习的形式和表达技巧,从而避免了沮丧,侵略和压抑—伴随挑战性项目的倦怠和健康问题。总体而言,奥尔森总结道,艺术可以帮助您感受到—通过对形式和流动的响应来保持一种保护伦理。

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