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首页> 外文期刊>Spectrochimica Acta, Part B. Atomic Spectroscopy >Investigation of the gilding technique in two post-Byzantine wall paintings using micro-analytical techniques
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Investigation of the gilding technique in two post-Byzantine wall paintings using micro-analytical techniques

机译:使用微观分析技术研究两幅拜占庭式后壁画的烫金技术

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摘要

The main churches of two important monasteries in Thessalia,Central Greece,are decorated with wall paintings that hail from the post-Byzantine period.The mural decoration of the main church of the St.Byssarionas Monastery at Doussiko has been attributed to the iconographer Tzortzis.The same painter is believed to have also operated in the main church of the Transfiguration Monastery at the monastic community of Meteora.The light microscopic(LM)examination of the cross-sections of samples taken from the gilded areas of the wall paintings,together with the direct temperature resolved mass spectrometric(DTMS)and scanning electron microscopy-energy dispersive X-ray spectroscopic(SEM-EDX)analysis,revealed a further resemblance of the materials and the methodology employed.The gold leaf was applied to the paintings by means of a mordant,which contains linseed oil mixed with a lead-containing dryer and an earth pigment or clay.The present study can constitute additional evidence to reinforce the idea that the two churches may have been painted by the same painter or workshop.
机译:希腊中部的塞萨利亚的两个重要修道院的主要教堂都装饰有拜占庭后时期的壁画。Doussiko的St.Byssarionas修道院的主教堂的壁画装饰被归功于肖像画家Tzortzis。相信同一位画家也在迈泰奥拉修道院社区的变身修道院的主教堂里进行过操作。从壁画镀金区域采集的样品的横截面的光学显微镜(LM)检查以及通过直接温度分辨质谱(DTMS)和扫描电子显微镜-能量色散X射线光谱(SEM-EDX)分析,进一步揭示了所用材料和方法的相似之处。一种媒染剂,其中包含亚麻籽油,含铅干燥剂和土类颜料或黏土。本研究可以构成其他证据来加强认为两个教堂可能​​是由同一画家或工场作画的。

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