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From Baltimore to the South Carolina Backcountry: Thomas Chandler's Influence on 19th-century Stoneware

机译:从巴尔的摩到南卡罗来纳州偏远地区:托马斯·钱德勒对19世纪cent器的影响

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IN THE WINTER of 1980, during a tour of homes in my town, I saw for the first time an alkaline-glazed jug. It was dark olive green with rivulets of dripped glaze running down on all sides. The glaze reminded me of the candles my mother loved that would melt down to nothing during supper and, in the process, cover the old wine bottle we used for a holder with layers of different-colored dripped wax. The alkaline-glazed jug was from a region in North Carolina known as the Catawba Valley, and its elegance struck me to the core. "It is unfortunate," I said to my host, "that such a wonderful example of nineteenth-century stoneware could not have been made in South Carolina." "You're so wrong," my friend informed me. "Extraordinary stoneware was made in South Carolina, at a place called Edgefield" (fig. 1).
机译:在1980年的冬天,在我镇上的房屋巡回演出中,我第一次看到了碱水罐。它是深橄榄绿色,四边滴落的釉面小滴流淌下来。釉面使我想起了我母亲喜欢的蜡烛,它们在晚餐时会融化成零,在此过程中,将我们用来做烛台的旧葡萄酒瓶盖上一层不同颜色的滴蜡。碱性玻璃水罐来自北卡罗来纳州的卡托巴山谷(Catawba Valley)地区,其优雅气质令我深深感动。我对主持人说:“很不幸,南卡罗来纳州不可能制造出如此精美的十九世纪stone器范例。” “你错了,”我的朋友告诉我。 “非凡的stone器是在南卡罗来纳州的Edgefield制作的”(图1)。

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