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NEIL BROWNSWORD: COLLAGING HISTORY

机译:尼尔·布朗斯(NEIL BROWNSWORD):收集历史

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Neil Brownsword left school in 1987, aged sixteen, to work on a youth training scheme at Wedgwood as a tableware modeller. He later went on to a degree in ceramics and then an MA at the Royal College of Art. Having worked alongside highly skilled workers at Wedgwood, he is acutely aware that those skills are only just surviving. Coitaging History is a paean to those workers, a celebration of Stoke's place in ceramic history and a cry for the recognition of a dying industry. In 2004, Brownsword approached me as director of an archive that records interviews with craftspeople, to assist him with a number of Wedgwood workers whose skills are threatened by job losses. These recordings form an integral part of the exhibition, arguing that 'all these wonderfully able people now in their fifties with no prospect of transferring this unique knowledge to anything else are left packing shelves in the glut of supermarkets which are now built upon once prevalent and historic sites of manufacture.
机译:尼尔·布朗索恩(Neil Brownsword)于1987年离开学校,当时年仅16岁,他在韦奇伍德(Wedgwood)从事青年培训计划,担任餐具建模师。后来他获得了陶瓷学位,然后获得了皇家艺术学院的文学硕士学位。与Wedgwood的高技能工人一起工作后,他敏锐地意识到,这些技能只是在生存。涂漆历史对那些工人来说是赞叹之词,是对斯托克陶瓷历史上地位的一次庆祝,也是对垂死行业的认可的呐喊。 2004年,Brownsword找我成为一个档案馆的馆长,该档案馆记录了对手工艺人的采访,以协助他与一些威奇伍德工人一起工作,这些工人的技能受到失业的威胁。这些唱片构成了展览不可或缺的一部分,他们争辩说:“这些五十多岁的才华横溢的人,没有将这种独特的知识转移到其他任何东西的前景,都留在了超市的包装货架上,而如今,这些货架已经建立起来了,历史古迹。

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    《Ceramic review》 |2005年第216期|共1页
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  • 正文语种 eng
  • 中图分类 陶瓷工业;
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