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Edvard Munch, Workers on their way home 1913-1915

机译:爱德华·蒙克,工人在回家的路上1913-1915

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Under a cloudy, winter evening sky, a gaunt column of workers, an unstoppable human tide, flows 'through the cold blue shadows' of a sunless, treeless, Nordic street . The central figures challenge us with their dark, hollowed-out eyes, their upright posture and clenched fists conveying a sense of determination, solidarity and defiance. They sport beards, soft hats and blue jackets with brown trousers and dark vests. One has a distinctive white face-from dust or disease? On the right, the faceless continuum trails alongside the high brown factory wall. Whilst on the left beyond the green and red houses, a meagre few (the night shift?) straggles in the opposite direction. Above the mountains behind the factories the clouds part to reveal some hopeful hints of blue. Strong diagonal lines accentuate the narrow street, exaggerating the perspective and heightening the sense of distance. Multiple-exposure images, overdrawn figures, bold double lines and transparent limbs create an impression of cinematic movement. The central figures with their over-dimensioned upper torsos and foreshortened legs loom out of the picture putting us amongst the workers as they flood around us.
机译:在乌云密布的冬天傍晚的天空下,一群不休的工人,一种无法阻挡的人类潮流,“流经”一条无阳光,没有树的北欧街道的冷蓝色阴影。中心人物以其空洞的黑眼睛,直立的姿势和握紧的拳头向我们发出挑战,传达出坚定,团结和反抗的感觉。他们留着胡须,软顶帽子,蓝色外套,棕色长裤和深色背心。一个人有一张与众不同的白色面孔-来自灰尘或疾病?在右侧,不露面的连续体在高棕色工厂墙的旁边。在绿色和红色房屋之外的左侧,只有很少的人(夜班?)朝相反的方向散乱。在工厂后面的山脉上方,云层散发出一些希望的蓝色提示。强烈的对角线突出了狭窄的街道,夸大了视野并增强了距离感。多重曝光图像,透支图形,大胆的双线和透明的肢体给人以电影般的运动印象。中央人物的躯干尺寸过大,腿部被缩短了,使它们隐约可见,这使我们成为工人围困我们的地方。

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