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The glamour of glaze

机译:釉的魅力

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摘要

The transparency and colours of my crystalline glazes are well suited for use in jewellery. The technique is such that it is not always possible to obtain the same effect, which means that each piece is completely unique. As I've worked on developing the glazes, the biggest handicap has been the absence (in the Italian ceramic tradition) of literature on them. Yet, luckily, I've managed to create a glaze suitable for my needs. With proper firing and various devices I've found that I can produce small objects that suit subsequent mounting. The mounting is done with wires and metal accessories and needs to be designed to ensure the jewel is 'portable'. All these are not minor problems. A ceramic piece of jewellery must have many features to be a beautiful object to wear, otherwise it will only appear as a 'tile' attached to a wrist or sitting around a neck.
机译:我的水晶釉的透明度和颜色非常适合用于珠宝。该技术无法始终获得相同的效果,这意味着每件作品都是完全独特的。在我开发釉料的过程中,最大的障碍是缺少(在意大利陶瓷传统中)文学作品。但是,幸运的是,我已经设法制造出适合自己需要的釉料。通过适当的点火和各种设备,我发现我可以生产适合后续安装的小物体。安装是通过电线和金属配件完成的,需要进行设计以确保珠宝是“便携式的”。所有这些都不是小问题。一件陶瓷首饰必须具有许多功能,才能成为漂亮的佩戴对象,否则,它只会以附着在手腕或脖子上的“瓷砖”的形式出现。

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    《Ceramic review》 |2016年第277期|共3页
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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 陶瓷工业;
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