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Stare, Contemplate, and Wonder

机译:凝视,沉思和奇观

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Now in its third year, Jerwood Makers Open commissions new work from five 'rising stars' in the applied arts, offering a show at Jerwood Space in London followed by a tour in the UK. Almost by definition the new work in the field has a strong urban feel and, not surprisingly, many of the winners are London based and/ or recent graduates of the Royal College of Art. It is heartening therefore to find that an artist living in rural West Wales is one of this year's winners. In one sense Adam Buick conforms to the ultimate stereotype of the country potter. His workshop is reached down a winding road through fields and past a farmhouse until you arrive at some rambling outbuildings with stacks of wood and handsome jars balanced casually on tree trunks. He is best known for his moon jars, beautiful globular forms, each one glazed individually and wood-fired to render subtle markings, which are often derived from materials he wrests from the local area. On the face of it his work appears to have taken much from the philosophies of the Anglo-Oriental tradition and the studio pot inspired by eastern forms - but it is not that simple.
机译:现在已经是第三年了,杰伍德制造者公开赛委托来自应用艺术领域的五位“后起之秀”的新作品,在伦敦的杰伍德空间举办一场展览,然后在英国巡回演出。从定义上讲,该领域的新作品几乎具有强烈的都市感,毫不奇怪,许多获奖者是伦敦的和/或皇家艺术学院的应届毕业生。因此令人振奋的是,发现居住在西威尔士乡村的一位艺术家是今年的获奖者之一。从某种意义上说,亚当·别克符合乡村陶瓷工的终极刻板印象。他的工作室沿着蜿蜒的小路穿过田野,经过一间农舍,直到您到达一些杂乱无章的附属建筑,里面堆满了木头和漂亮的罐子,它们随意地放在树干上。他以其广口瓶,美丽的球状形状而闻名,每个形状均单独上釉并用木炭烧制,以产生细微的痕迹,这些痕迹通常来自他从当地摔跤的材料。从表面上看,他的作品似乎取材于盎格鲁东方的传统哲学和受东方形式启发的摄影棚-但事实并非如此简单。

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    《Ceramic review》 |2013年第263期|共4页
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  • 正文语种 eng
  • 中图分类 陶瓷工业;
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