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Colourful Raku

机译:充满

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摘要

A COLOURFUL PAST Raku stands as one of the icons of the twentieth century studio pottery movement and rarely fails to provoke excitement in all that participate, as Bernard Leach found in 1911 whilst visiting Japan. My personal journey with raku began in 1983 whilst studying ceramics at Derbyshire Higher Education College, where I became intrigued by rich, colourful glazes, and their potential for tonal variation. In 1987, after a successful period of eighteen months producing terracotta planters and kitchenware, I moved into shared workshop premises - a rather rustic, quaint stable yard annexed to a large country house in Stone, Staffordshire. In an intoxicating atmosphere of creative self-determination and hedonism my focus turned once again to raku, envisioning endless possibilities of strong, vivid colour counterbalanced by the earthy overtones of post-firing reduction. I immersed myself in the physical and artistic exploration of raku, culminating in a joint exhibition with a group of local artists.
机译:色彩缤纷的过去Raku是20世纪工作室制陶运动的标志之一,很少引起所有人的兴奋,正如Bernard Leach在1911年访问日本时发现的那样。我个人在raku的旅程始于1983年,当时他在德比郡高等教育学院学习陶瓷,在那里我被浓郁,色彩鲜艳的釉料及其色调变化的潜力所吸引。 1987年,经过18个月的成功生产陶土花盆和厨具的经历,我搬进了一个共用的厂房,即一个质朴,古朴的马院子,附属于斯塔福德郡斯通的一栋大乡间别墅。在充满创造力的自我决定和享乐主义的陶醉气氛中,我的注意力再次转向了raku,设想了无穷无尽的可能性,即可以通过减少射击后的泥土色调来抵消强烈生动的色彩。我沉迷于对Raku的物理和艺术探索,并最终与一群当地艺术家联合举办了展览。

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