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Ceramic Masters: The Art of Vivika and Otto Heino and their Contemporaries

机译:陶瓷大师:维维卡和奥托·海诺及其当代艺术

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摘要

Upon entering the third floor gallery at the Los Angeles Craft and Folk Art Museum to view the ceramic art of Vivika and Otto Heino, it is apparent that a celebration is underway. The show, culled mostly from the extensive 30-year collection of Forrest L. Merrill, is a retrospective of the consistency and technical mastery of a husband and wife partnership that spanned 45 years, ending with Vivika's death in 1995. Otto, who turned 90 in April, said with a twinkle in his eye that he still turns pots every morning from 4 to 8 A.M. at his Ojai studio. The L.A. show and another Ventura show at the Ventura County Museum of History and Art were both organized around Heino's momentous birthday, marking his 57 years as a potter, said Merrill. The Ventura show concentrates on Otto's productivity since Vivika's death and can be seen through May 22. At the show's opening, the potter greeted well wishers energetically in his tweed jacket and hat, while a camera crew moved about the gallery filming an upcoming documentary on the Heinos' work. "I never get tired or bored. The clay is calling me," said Otto. The work on display strongly points out that the couple stayed true to the potters life, never letting the influences of modern mass production and plastic consumerism sway them from their philosophy of one-of-a-kind artistic work that focused on the authentic use of materials.
机译:进入洛杉矶工艺和民间艺术博物馆的三楼画廊观看维维卡和奥托·海诺的陶艺后,很明显正在举行庆祝活动。该节目主要取材于Forrest L. Merrill长达30年的广泛收藏,回顾了长达45年的夫妻合作关系的一致性和技术精通,直到1995年Vivika去世。Otto享年90岁四月份,他眨着眼睛说,他仍然每天早晨从凌晨4点到晚上8点转动锅在他的Ojai工作室。梅里尔说,文图拉县历史与艺术博物馆的洛杉矶展览和另一幅文图拉展览都是在海诺诺重要的生日前后举办的,这标志着他57岁的陶艺家生涯。在维特卡逝世后的5月22日,维特纳(Ventura)的演出集中在奥托(Otto)的生产力上。在展览开幕式上,陶艺家用他的粗花呢夹克和帽子热情地问候了许愿者,而摄制组则在画廊里拍了拍即将拍摄的纪录片。海诺斯的工作。奥托说:“我从不感到疲倦或无聊。黏土在呼唤我。”展出的作品有力地指出,这对夫妇忠实于陶艺家的生活,从未让现代大规模生产和塑料消费主义的影响使他们脱离专注于真实使用陶器的一种同类艺术作品的哲学。材料。

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