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Contemporary art/contemporary pedagogy: Interrupting mastery as paradigm for art school education.

机译:当代艺术/当代教育学:中断掌握作为艺术学校教育的范式。

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摘要

Contemporary art/contemporary pedagogy: interrupting mastery as paradigm for art school education is a narrative exploration of artistic and pedagogical practices within the specific context of post-secondary art school education in stand alone art schools as opposed to a university art department. This study considers the following three primary questions: How can art school education better reflect postmodern cultural production? What are some of the ways in which pedagogical practice disrupts the monolithic model of mastery? How can art school pedagogy be re-oriented away from an overly deterministic notion of education?;Through reflexive inquiry, I offer a personal perspective on art school education, weaving together my own experiences as student, artist, teacher and administrator, and juxtaposing 'my' text against the text of three artist pedagogues, representing specific aspects of field experience. Throughout the dissertation I seek to unearth the hidden assumptions that are embedded in historically inherited ways of being and doing in relation to contemporary art. I suggest that the partitioning of the institutional space into studio disciplines also segregates knowledge, and as such, largely determines the pedagogical framework of art schools. In the face of the interdisciplinary character of contemporary practice, I question the usefulness and relevance of disciplinary pedagogues modeled around the notion of achieving mastery as a paradigm that has shaped curricular practices in art schools in the past, and largely continues to define art school education today. I propose that the three artist pedagogues in this dissertation are each contributing to creating new inquiry structures that challenge boundaries between studio disciplines, between school and not-school, and between and among places of learning. I end by suggesting, as a topic for further research, complexity science as it may offer a productive framework to re-consider art school education.
机译:当代艺术/当代教育学:在艺术学校教育的特定背景下,相对于大学艺术系而言,中断对艺术学校教育范式的掌握是对艺术和教育实践的叙述性探索。这项研究考虑了以下三个主要问题:艺术学校的教育如何更好地反映后现代文化产物?在教学实践中,有哪些方式破坏了整体式的掌握模式?如何通过过分确定的教育观念来重新定位艺术学校的教学法?;通过反思性探究,我对艺术学校的教育提供了个人观点,将我作为学生,艺术家,老师和管理者的经验编织在一起,并将“我的文字与三位艺术家教育者的文字相对,代表了现场体验的特定方面。在整个论文中,我试图发掘隐藏在与当代艺术相关的历史继承方式中的隐藏假设。我建议将机构空间划分为工作室学科也可以隔离知识,因此在很大程度上决定了艺术学校的教学框架。面对当代实践的跨学科特征,我质疑围绕以掌握为范本的观念进行建模的学科教育者的有用性和相关性,该范式在过去塑造了艺术学校的课程实践,并且在很大程度上继续定义了艺术学校的教育今天。我认为,本论文中的三位艺术家教育家各自都在创造新的询问结构,这些挑战结构挑战了工作室学科之间,学校与非学校之间以及学习场所之间和之间的界限。最后,我建议将复杂性科学作为进一步研究的主题,因为它可以为重新考虑艺术学校教育提供有益的框架。

著录项

  • 作者

    Fouquet, Monique.;

  • 作者单位

    The University of British Columbia (Canada).;

  • 授予单位 The University of British Columbia (Canada).;
  • 学科 Education Art.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 234 p.
  • 总页数 234
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:40:06

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