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Intellectual Property P2P or not P2P; That is the Question?

机译:知识产权P2P或非P2P;就是那个问题?

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摘要

Evidently, some music lovers have been known to share songs on P2P networks without the consent of the copyright holder. Film buffs have, according to the film industry, been known to do something similar. Who would have guessed it? Some surveys have suggested that individuals who share music online are in fact greater purchasers of music than those who do not; and, as I write this, the UK final of X-Factor is in full spate and many music lovers feel that the creative integrity of music is being hijacked by the power of major corporations. Indeed, there are several ongoing campaigns to have some song other than the X-Factor winner be the Christmas No.1 (in the same way as Rage Against the Machine became an unexpected winner last year). On social networks such as Twitter, campaigns are ongoing for Help for Heroes and for Aberlour Child Care Trust with X-Factor Star Gamu. Are we now seeing a paradigm shift in how music is promoted?
机译:显然,一些音乐爱好者在未经版权所有者同意的情况下可以在P2P网络上共享歌曲。根据电影行业,人们已经知道电影迷会做类似的事情。谁会猜到呢?一些调查表明,在线共享音乐的人实际上比不共享音乐的人更多。而且,在我撰写本文时,X-Factor在英国的决赛已经如火如荼,许多音乐爱好者都认为,音乐的创作完整性正被大公司的实力所劫持。的确,除了X因子获奖者成为圣诞节第一名外,还有一些正在进行的竞选活动,除了X-Factor获奖者之外,还有其他歌曲(就像去年《愤怒的机器》成为意外的获奖者一样)。在诸如Twitter之类的社交网络上,针对“英雄帮助”和“ X因子之星Gamu的Aberlour托儿所信托基金”的活动正在进行中。我们现在是否看到了音乐推广方式的转变?

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  • 来源
    《Business law review》 |2011年第2期|共2页
  • 作者

    David Flint;

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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 法律;
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  • 入库时间 2022-08-18 09:16:49

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